Showing posts with label Contemporary romances. Show all posts
Showing posts with label Contemporary romances. Show all posts

Thursday, April 1, 2010

Kay Thomas' BULLETPROOF return to the Lair.

interview with Suzanne

Kay Thomas writes "bulletproof" romantic thrillers for Harlequin Intrigue. Her debut novel BETTER THAN BULLETPROOF (January 2009) is a Romantic Times Reviewer's Choice Nominee for Best First Series Romance. Her second book BULLETPROOF TEXAS was published in April 2009. And her third release, BULLETPROOF BODYGUARD, will hit store shelves April 13th as part of Intrigue's Bodyguard of the Month Series. Please help me welcome author Kay Thomas, one of my good friends back to the Bandit Lair.

Suz: BULLETPROOF BODYGUARD is the third book in your Bulletproof series and part of the "Bodyguard of the month" collection from Harlequin Intrigue. Can you give our readers a little bit about the book?

Kay: The story is about a young, widowed mother who is forced to help with a casino robbery on the Mississippi coast when her three-year-old son is kidnapped by `guests' staying at her bed and breakfast. Her only hope is an undercover cop with a troubled past who must choose between saving his career and saving her child.

Suz, wiping the drool from my mouth: Man I love the cover of BULLETPROOF BODYGUARD! Your heroes have been strong men caught in a situation where they needed to take control of things. How does Marcus North deal with the situation he finds himself in?


Kay: Marcus is an undercover cop. In the past he has been badly burned trying to maintain his cover and protect the innocents he meets through work. He's promised himself never to let that happen again.

Cally Burnett is completely different from his usual contacts and he hates the fact that she and her son Harris could become collateral damage in the robbery that is being planned. Soon Marcus is bending, then breaking his own rules to protect them. Keeping his cover becomes more and more difficult and before it's over he'll have to choose.

Suz: How does Marcus meet the heroine, Cally Burnett?

Kay: He is a guest at her bed & breakfast as part of his undercover casino bodyguard assignment.

Excerpt:

"You have a beautiful home, Mrs. Burnett. How long have you lived here?"

"A little over eight years." She looked up from the registration book. "This was my husband's family home. His great-grandfather built it at the turn of the century."

"Oh, so it doesn't date back to the Civil War."

"No," she laughed softly. "Although I'm afraid the Chamber of Commerce wishes it did. They wanted to suggest that perhaps William Faulkner slept here. But the sad fact is nothing of historic significance has ever occurred at River Trace."

"Except raising the Burnett family of course."

Her dimples reappeared.

"So do you and your husband run the bed and breakfast?"

Again, her smile faltered. "No, my husband died almost four years ago. I run River Trace myself with the help of Bay and Luella Wiggins."

Now it was Marcus's turn to wince. "I'm sorry, I didn't know."

She shook her head and looked back down at the paperwork. "That's all right. It...it happens all the time." She stopped writing to look up at him directly. "I know you don't know what to say."

Marcus nodded gratefully, feeling that he was definitely losing his social skills. He wondered what had happened to the husband.

As if reading his thoughts, Harris piped up, "Daddy dwowned...but not in bathtub."

Cally gaped at the child in shocked surprise. Marcus groaned. No wonder his earlier comment about drowning had caused such an unusual reaction.

"That's right, honey." She recovered herself and held him close as she patted his back and looked into his eyes.

"He lives in heaven with angels."

"Um-hmm," she murmured, still staring into the boy's face.

"Lulu says so. Bay, too."

"That's right, baby. That's right." She gazed at Harris a moment longer continuing to cuddle him and a took a deep breath. He laid his head on her shoulder.

Marcus shifted on his feet, uncomfortable with his eavesdropping. It usually wouldn't bother him, but in this case, it was extraordinarily awkward.

She seemed to sense his discomfort. "I'm sorry, I didn't realize he knew what that meant. I mean we've talked about it, but..." She stopped, blushed a deep pink, clearly at a loss for words.

"That's all right. I'm sorry about what I said earlier." Her forehead creased, "About?"

"About...the tub."

"Oh," she nodded. "You must be wondering after all this."

Her hand fluttered about Harris's back but her voice was cool and composed. "My husband was in a boating accident. He was duck-hunting and putting out decoys when the boat capsized. His waders filled with water and he drowned." "I'm terribly sorry."

"I am, too." She sighed. "But life goes on." She looked at the little boy in her arms and gave him a squeeze. "Here's the proof."

Harris giggled sleepily.

"Let me show you to your room. It's right up these steps."

Marcus followed her to the grand staircase. Their feet were silent on the carpeted steps.

"Your room was originally an attic when the house was built. At one time it was a nursery. Now it's definitely the most secluded spot at River Trace."

At the top of the second flight, Cally turned left and led him past several rooms toward the back of the house. Her hair had come out of its pins and was trailing halfway down her back in ringlets. Marcus watched as Harris opened and closed his fists around one of the curls.

The outline of her bra strap was clearly visible through the wet shirt. It was lacey, pink and distracting the hell out of him. She turned right and paused at another landing.

"I thought since you were going to be here a while, this would give you more privacy. You have your own bath and there's another stairway here if you prefer. It was originally a servants' stairway. And if you've had a really long day..." She didn't finish the sentence as she pointed toward the antique one-man elevator.

"It still works?" he asked.

Cally nodded, opened a door and led him up a narrow stairwell. He could see how the location would have been perfect for a child's nursery.

"We just finished getting it all together today."

Marcus stepped up into the room behind her. She crossed another oriental rug and sat Harris down on a wide window seat. As she leaned over to close the window, he got an unexpected but rather spectacular view of her butt in the water-soaked jeans. Her wet shirt had ridden up and he could see a line of milky-white skin along her back.

He caught himself staring, imagining the view under different circumstances. If she turned around without picking up the boy first, he'd get a peek at the latest Victoria's Secret had to offer. With a jolt he realized he wasn't paying attention to a word she was saying.

"…we painted earlier this week, but I wanted to make sure the smell was completely gone."
Marcus took in a gulp of air, attempting to clear the erotic images forming in his head. "Hmm.
All I smell is ah…flowers?"

"Yes." Cally smiled, completely unaware of where his thoughts had been. "That would be the potpourri." She nodded at a silver bowl on the captain's desk to his right.

"The bathroom's through here." She pointed toward the small hallway to his left; straight ahead was a queen-sized bed flanked by small antique tables. "We just moved the armoire in today."

He reassessed her as he took in the large cabinetry opposite the window. "You moved that yourself? Up those stairs?" He studied her slim build and tried to imagine her lifting the heavy antique. Even with a man helping her, it was a formidable job.

"Well, Bay and I did. I couldn't have done it on my own. I can't imagine doing any of this without the Wigginses. You'll meet him and Luella tomorrow. River Trace simply couldn't run without them. They're amazing."

"I'd say so." He mentally struggled to get focused again.

"Let's see. I need to get you more towels, and you need a brandy decanter." She ticked the items off on her fingers.

"Excuse me?"

"It's a gift when you check in. Our special label. Homemade peach brandy. Not to be missed."

She stared straight at him—open and friendly, but it wasn't a come-on. He knew that.
Facing him, she wasn't holding the kid. Marcus locked his eyes on hers and willed himself not to look below her neck at that transparent shirt.

"Now…what else. Oh, yes. Since you're up three stories here, the fire marshal insists I tell you how to get out in case the stairway is blocked during a fire." She headed for the window seat.
Marcus swallowed hard when she bent over to pick up Harris and lifted the lid on the built-in seat. Her shirt rode up again revealing more of that creamy skin that he was suddenly very curious to touch.

"There's a ladder here," she said over her shoulder.

She reached for the jumble of metal and rope, and he realized he was staring again. He was going to get busted if he didn't stop. He reached around her, accidentally brushing against her shoulder.

"Sorry," he muttered.

She startled. "Thank you," she murmured, stepping aside. "You attach it by those handles to the window and then you can ease down to the roof."

"Where do I go from there?" he asked, keeping his voice as neutral as possible. Touching her had been a bad idea, a really bad idea.

Cally turned to look at him with a sober face and sparkling eyes. "You jump."

He barked a laugh.

"Actually, you shimmy down to that sunroof on the second floor, and you jump."

"Does every room have one of these?"

“Oh, no. Yours is special. It's the only one on the third floor. There are two staircases up to the second floor and a window in every bedroom. The fire marshal figures if worse comes to worst everyone else can get out."

Obviously she was struggling to keep a straight face.

"I see."

"River Trace is the only residence to be converted to an inn in the county. The fire marshal had never done this before. I'm afraid he went a bit overboard. We barely talked him out of a sprinkler system. But I feel confident you will be safe during your stay."

The dimples were back.


"I think the worst thing that would happen if you had to jump is a broken leg."

"Hmm. We'll hope it doesn't come to that."

"Absolutely." A man could get lost in a smile like hers. Harris yawned widely as Marcus shut the ladder back into the window seat. "Someone is getting sleepy."

Harris was snuggling into her chest and clutching one of her ringlets. "Yes, I'd better put him to bed. I'll be glad to get you something after I get him down."

She was looking at Marcus again with those incredibly blue eyes, totally oblivious of the effect she was having.

"What would you like? A snack of some kind? Or I can fix you a sandwich? Whatever you want."

She had no idea what she'd just said. Marcus swallowed. God, he didn't usually get turned on by unintentional double entendres. "A sandwich would be great if it's not too much trouble. But
there's no hurry. I realize you'll have your hands full for the next few minutes."

"It's no problem at all. I'll just put Harris to bed and bring up your sandwich. And those towels and that brandy." She started toward the stairs before turning back. "How does roast beef on whole wheat sound?"

"Delicious."

"It'll be about fifteen minutes."

Downstairs the deep gong of the doorbell echoed through the house.

"That'll be my other guests. Let's make that thirty minutes on the sandwich?"

"No problem."

Cally nodded and headed down the steps. When the door closed, Marcus's smile faded. He looked around the room, taking in the rich red walls and antique four-poster.

This was not the set-up he'd been expecting. Oh, it was quite a place all right. But it was not the proper way for this to go down. What in hell was he going to do about the widow and the kid?

Suz: BULLETPROOF BODYGUARD takes place in Mississippi. Is there any particular reason you decided to use this setting for this book?

Kay, (smiling that shy southern belle smile of hers): I'm from Mississippi and my family still lives in and around the Delta. The original idea for BULLETPROOF BODYGUARD was based on the first riverboat casino ever built in the state in the early 90's. My big brother Tim gave me the idea and it all started over dinner one night with the words, "Kay, I've got a story for you?"

He has just gotten back from a long road trip with a friend who had worked as a security guard in that first riverboat casino located in Tunica. Tim's friend had some hair-raising tales about those early months the casino was open, before there was an infrastructure in the county to handle the huge influx of cash and people to the area. The casino was reported to be the most profitable per square foot in history, and the guards spent the first eighteen months worrying they'd be robbed blind because they didn't have all the backups they needed.

There's a bed & breakfast featured in the book based on my grandmother's house that I grew up next door to in Clarksdale.
















This was the first manuscript I ever finished, but it's gone through multiple revisions and rewrites since I first wrote "the end" ten years ago. Three years after I finished the original draft, that house my great grandfather built in 1900 burned. Thankfully no one was hurt. Even though the property was no longer in the family, three generations had lived there. In BULLETPROOF BODYGUARD, the house that held so many wonderful memories for us lives again.


For story purposes I moved my grandmother's house (the B & B), the casino, and the timeline to present day South Mississippi.


Suz: One of the things I like about your books is the sense of urgency and desperation you put your characters in. Is there a way to balance that with the sexual tension needed in a romance?


Kay: I love to write compressed timelines with a ticking clock. (As a writer this keeps me focused on making every scene count.)

For me that combination keeps the suspense tighter and the characters slightly off balance. Their emotions are "rawer," much closer to the surface. My hero and heroine don't have time to dissect their feelings (like we do in real life). They simply react and respond to circumstances around them. When I get bogged down in writing a scene or even in plotting, I usually find it's because my characters are "sitting and thinking" versus acting.

That lack of time for the characters to analyze the relationship, combined with the ticking clock is what I believe keeps the sexual tension building. For the reader, my hope is this "urgency" keeps one turning the pages and wanting to find out what happens next.

Suz: What's next for you and your Bulletproof series?

Kay: The next book is due to my editors at Intrigue in September with a release date for 2011. It's tentatively titled BULLETPROOF HEARTS. The story is about a woman who discovers her brother's hit and run accident was actually murder and she could be next if she doesn't accept help from a mysterious stranger. I'm almost through the first draft but I'm a multi-drafter, so the plotting is still very much in process. If anyone is interested in my week-by-week progress, they can check out my facebook fan page at: http://www.facebook.com/KayThomasWrites. I chat about lots of different things - books, current movies, publishing- including what I'm working on right then. I also post deleted scenes from previous novels and give away books and gift cards from time to time.

Kay: This book features a fictional B & B. I adore bed & breakfasts and used to think I wanted to run one until I realized that:
1) I loathe doing laundry and housekeeping chores in general. And
2) it's considered an exotic breakfast at our house if I cook scrambled eggs & toast. No, this is probably not a career I should consider.

I figured out that what I really enjoyed was staying in a B & B vs the whole concept of running one.
So my question to you is: What's your favorite thing about staying in a bed & breakfast?
If you could, would you like to run one? Why or why not?

Suz: Kay will be giving away a copy of BULLETPROOF BODYGUARD to one lucky commenter. Kay, anything else you'd like to share with our readers and friends?

Kay: To celebrate the release I have a Bulletproof Sighting Contest called "Feeling Lucky?" that's currently underway. Spot my April Intrigue, BULLETPROOF BODYGUARD, on store shelves or in your mailbox and be eligible to win a gift card to Barnes & Noble for $15, $10 or $5. Details are at my website. www.kaythomas.net


Trailer for BULLETPROOF BODYGUARD

http://www.youtube.com/watch?v=0xFM59fprfg

Friday, January 29, 2010

Vicki Lewis Thompson Brings Some Magical Fun To The Lair!

interview with Suzanne

I am both excited and pleased to have NYT bestselling author, Vicki Lewis Thompson in the Bandit Lair today! Welcome, Vicki, pull up a lounge chair and we'll have one of our cabana boys pour you a drink.

Suz: When you spoke at DARA (Dallas Area Romance Authors) holiday meeting a few Decembers ago, you told the story of how exposure on National TV helped your career. Some of our readers may not have heard that story. Would you care to share it with them?

Vicki: I’ll tell that story at the drop of a hat, LOL! But first, thanks for inviting me to the Bandit Lair! Cute cabana boys! Ahem. Back to the subject at hand -- Kelly Ripa used to have a book club on LIVE with Regis and Kelly. NERD IN SHINING ARMOR was my first single title, and the print run was very low. I was afraid it would sink like a stone, so I hired publicist Theresa Meyers to help me get on Reading with Ripa. With lots of lobbying and a dose of luck, we did it! I appeared on the show. The print run went from 20K to 350K and I landed on the NYT. What a rush!

Suz: I love that story and it is so inspiring to know it can happen out of the blue to an author. How did it change your writing career?
Vicki: It opened doors that would not have been open before. I’ve now worked with three mainstream publishers and have an agent who only takes on NYT authors. Most of all, though, it taught me that anything is possible. You just have to go for it. You may fall on your face, but you may shoot to the stars! I’m much more willing to take risks these days.

Suz: Recently you’ve switched gears and gone paranormal with your HEX series. What made you choose witches over say, vampires or werewolves?

Vicki: With all due respect to the vampire writers and readers out there, I’m squeamish about blood, so that lets out vampires. As for werewolves, funny you should ask! I’m working on a top-secret project right now for 2011, and it just might involve werewolves. But they’re not bloody. I’m not good with bloody. I write comedy.

Suz: Ooo can't wait to hear about those werewolves! Please tell us about the HEX series.

Vicki: The series came alive for me when I decided that instead of setting it in Sedona, Arizona, a hotbed of New Age thinking, I should set it in a conservative little town in Indiana, where NOBODY believes in witches, wizards, magic, or . . . heaven forbid . . . dragons! Big Knob, Indiana, is imaginary, but I’ve had readers ask if it’s based on a real town because they want to go there! So do I, but it doesn’t exist. I made it up totally. The series features a matchmaking witch and wizard who are sent there to rehabilitate the delinquent dragon living in the nearby woods. In between dragon-sitting, they do some matchmaking on the side, which is where the romance comes in.



Suz: Is BLONDE WITH A WAND the first in a new series for you? Can you tell us a little bit about the series?

Vicki: The Babes on Brooms series is – at present – two books long. If readers like it, maybe it’ll get longer! It’s a spin-off from the Hex series in that the matchmaking witch and wizard from that series make an appearance in both BLONDE WITH A WAND and CHICK WITH A CHARM. These two spin-off books are set in Chicago, which is less than a day’s drive from Big Knob, so it works out.

Suz: In BLONDE WITH A WAND, the heroine, Anica Revere, breaks a major witch rule and is stripped of her powers. How does she adjust to that?

Vicki: Not well! She’s always been the “good” sister and now she has to depend on Lily, who’s the rebel sister, to help her fix the magical mess she’s created.

Suz: The hero of BLONDE WITH A WAND, Jasper Danes, is the victim of Anica’s mistake. Does he exact a little revenge or does he easily find himself under her spell?

Vicki: I think it’s okay to reveal that Anica turned him into a cat, because that’s in the blurb. While revenge is definitely on his mind, he’s dependent on Anica and Lily to change him back into a man, so he has to be VERY careful not to tick them off.





Suz:
Can you tell us a little about the next book in the series—CHICK WITH A CHARM?

Vicki: I would love to! It’s Lily’s story, and she’s a little jealous of Anica’s love affair with Jasper. Lily’s a bartender who has a crush on a customer. Against Anica’s advice, she gives him a devotion potion in his cocktail and discovers that it doesn’t produce quite the results she’d hoped for.








Suz: What else can our readers look forward to from you this year?

Vicki: I hope you’re ready for this. I’ve been typing like crazy and I could sure use a massage from Sven if you’re willing to loan him out. I have *seven* releases this year. Besides BLONDE WITH A WAND in February, I’ll also have RACING HEARTS, a NASCAR anthology with Dorien Kelly and Nancy Warren. This June will kick off my “Sons of Chance” series with Harlequin Blaze. WANTED! comes out in June, AMBUSHED! in July, and CLAIMED! in August. They’re cowboy stories set in Jackson Hole, Wyoming, and the series will continue with three more books in the summer of 2011 and three more in the summer of 2012. Also in July I’ll have CUPID CATS, an anthology with Katie MacAlister and Connie Brockway. The stories are linked by an animal shelter that specializes in magical cats who become matchmakers for those who adopt them.

Suz: OMG...we'll have Sven work on those fingers ASAP!! You're going to be one busy lady this year!! Is there a question you’d like to ask our readers?

Vicki: How about this? If you could wave a wand and turn someone (a person you know or a public figure) into an animal, who would it be and what animal would you choose?

Suz: Thanks for being in the Lair with us Vicki. Vicki will be giving away a signed copy of Blonde With A Wand to one commenter today. And don't forget, you can order books by clicking on any covers.

Monday, September 21, 2009

CELYA BOWERS VISITS

interviewed by Suzanne

Bandits and readers let me introduce you to my friend, Celya Bowers. Welcome to the Lair Ceyla, pull up a cushy chair and I'm sure we can find a cabana boy around here to bring us some refreshments!

Suz:
ANYTHING BUT LOVE is one of my favorite Celya Bowers books. Can you give us a little look into the story?

Celya: ANYTHING BUT LOVE is a contemporary romance about two very A-type personalities who don’t want to date, but end up doing just that. Kendall Matthews is a very talented doctor in a prestigious hospital. Her world get turned upside down when her past comes back to greet her. Coletrane Highpoint was her first love and now he was back in town. He hadn’t noticed Kendall when she 16, but he notices her now at the tender age of 40.


Suz: Your heroine and hero have a past history. How did that mold them into the people they are now? And how does it affect their relationships both together and with other people?

Celya: Kendall always carried the hurt of Cole’s dismissive attitude toward her all these years. It formed her into the very focused woman she is now. She’s determined not to let another hurt her again. At first Cole can’t understand why Kendall has such an attitude about him, but when he realizes she was still harboring ill feelings from the past. He tries to rectify it.

Suz: Both characters have strong family ties. Is this important to you to show that part of their lives?

Celya: I’m very close to my family. I couldn’t imagine not speaking to someone in my family at least weekly. There’s such negative images of the African-American family, I’d like to show the world that there are still solid families on this earth. All my books have strong family ties.

Suz: Your secondary characters also have a second parallel love story. Do you feel that adds to the richness of the main story?

Celya: Yes, I do. I think it helps adds a much needed layer to a romance. Nothing is worse than being so focused on someone else’s romance you don’t realize you’ve fallen in love yourself.

Suz: So what's next for Celya Bowers?




Celya: My latest release is a Celya Bowers book and is called 2 GOOD.

2 GOOD features a plus size heroine, Madisyn O'Riley and wide receiver for the Dallas Cowboys, Aidan Coles. Madisyn is tired of playa-playas and wants to find just one good man. She's had her fill of two legged dogs. When she volunteers at Aidan's charity, she can't believe that he's actually interested in her. Aidan is immediately attracted to Madisyn because she's not swayed by his wealth. Is she 2 Good to be true? When her security is threatened by an ex-lover, Aidan jumps at the chance to show her how much he wants her. Madisyn had begun to think men like Aidan didn't exist anymore, but is so glad she was wrong.

Suz: Can't wait to read 2 GOOD. I love football players as heroes! You also write as Kennedy Shaw. What’s up next for her?

Celya: The next book by Kennedy Shaw is called TOUR OF DUTY, and
will be released December 2009. This is a romantic suspense and is concerning unauthorized military testing with our troops in Iraq. It features high school sweethearts Mikerra Stone and Drake Harrington. This story is set in Wright City, Texas. Mikerra has a secret. She's been living in New York working as an editor, and seeing a married man. Now that man wants her dead. Mikerra returns to her hometown for safety. She never dreamed she'd run into Drake. He still habors bad feelings toward her for the break-up. Drake is a an army ranger, home on leave after a tour in Iraq. Unfortunately, he's been suffering from headaches since his return from the desert. The one person who holds the key to his headaches is the same person who broke his heart all those years ago. Can he put his hurt aside and listen to Mikerra?

Suz: Why do you write as two different pseudonyms? What is the advantage in doing that?

Celya: Kennedy Shaw’s story are usually set in the fictious city of Wright City, Texas. Every now and then Kennedy Shaw will have something different.

I wanted to keep those stories separate from Celya Bowers.

When you write totally different stories, it’s best to do it under a different name, so your loyal readers won’t be offended.

Suz: What do you see as the advantages of being a romance writer who happens to be African American? The disadvantages?

Celya: When I first started writing, there weren’t many African American romances out there. Now there’s more opportunities for writers of color, which I’m so grateful for. I try to write uplifting stories that give a reader hope. That’s why they’re paying to read my book. Escapism, but with the thought “hey, this could be me.”

To me the biggest disadvantage is that most mainstream readers think the minute they see AA on the cover, it’s going to be a story about the hood, drug dealers, and so on. I don’t write those kind of stories, because frankly, I don’t know that life style. I don’t write about baby mama drama, baby daddy drama. That’s just not my cup of tea. I write from my heart and things that occur around me. None of my friends are doing drugs, so I can’t write about that.

I guess I would like people to see my books as just romances. I don’t want it labeled a black romance just because of the color of the characters.

Suz: So dear readers, do you read books by authors who write under more than one pseudonym? Do you like when the authors use different names to differentiate which type of book you'll be reading? Celya will be giving away a signed copy of one of her books to one lucky commenter today!

Sunday, April 19, 2009

Armed and Fabulous

by Nancy

A friend of mine once said that the two types of garments most flattering to almost every man were the tuxedo and the military uniform. I think she had a point. Uniforms and tuxedos square the shoulders and frame the body as other garments just don't quite. Even the less dynamically built characters on shows like JAG or China Beach looked good in a uniform. And proficiency with weapons is another plus. So for today, we'll leave the tuxedos to the spies and focus on warrior heroes (in and out of uniform). For the writers among us, we'll also touch on resources for creating and equipping these guys.

Vikings seem to be enjoying a resurgence lately. My favorite Viking film, which I discovered because Gerri Russell assured me I'd love it, is The 13th Warrior, starring Antonio Banderas. It's the role in which I like him best because of the challenges his character faces and the ways he grows as a result. He isn't a Viking, but he's surrounded by them. They're the other twelve warriors. This film has noble purpose and lots of swordplay. Banderas' character isn't a warrior hero at the start of the film, but he is at the end.

If you're writing a Viking hero, how do you know what he wears or carries? Or what his world is like? There are a lot of terrific books out there about Vikings and their culture. My favorite source for information about warriors of all eras is Osprey publishing. Click on the appropriate country, and prices will appear in your currency. The books are not cheap, but they're aimed at military history buffs, so they contain fabulous details that can be hard to find elsewhere. When I needed to know how much a medieval archer earned, I found the information in an Osprey book.

Moving forward, there's the medieval period with its knights and dragons and derring-do. I'm seriously biased in this regard, but I don't think you can beat the Plantagenets for pure flash and dash in the whole spectrum of British history. Medievals also seem to be having a resurgence, especially ones featuring Knights Templar. Claudia Dain's The Marriage Bed and Christina Dodd's Candle in the Window (a medieval, not a Regency, despite what the cover implies) are wonderful medievals. So are all of Gerri Russell's Scottish medievals, which start with The Warrior Trainer.

Equipping the medieval hero is easier than it is for warriors of other eras. There are many, many medieval histories available, and there are probably enough books in print about castles to built one out of them. Dorling-Kindersley's children's books about medieval life and about knights can be a great resource to get a feel for the era. Osprey, of course, has terrific resources for various medieval periods. Some of these books are available in libraries, though not all. It's always worth checking since books can become a huge expense.

The American Revolution doesn't seem like a very popular period, but the Regency, with its popular veterans of the Napoleonic Wars makes, up for that. I've always wished there were more naval heroes in Regencies. It's hard to set a Regency on a ship, of course. You'd lose lots of the period's fun conventions. Major Lucas Winter, in Sabrina Jeffries' wonderful Never Seduce A Scoundrel (School for Heiresses series), is an American Marine, a veteran of the campaign against the Barbary Pirates, and a wonderful character and one of the few American military heroes I've seen from this period. While Victorians seem to have a strong market presence, I haven't seen any Crimean War heroes. Maybe someone can recommend one.

I'm hoping World War I and World War II begin to gain market share because I love those stories. The Vietnam war doesn't seem to have produced many romance heroes, either. Maybe it's too recent to be historical and too remote to be contemporary. I do love all the current and former SEALs who keep turning up as heroes. My parents were in the Navy, so I'm naturally biased. I loved the TV show JAG, even though the primary weapons utilized were legal briefs. Veterans from all service branches seem to be appearing in a lot of romances, and I enjoy that.

Cassondra tipped me off that YouTube can be a gret resource for video of weapons in use, so I've been consulting that site from time to time. Osprey has great contemporary source material, including several books on Special Forces, and there are many, many excellent memoirs out there. The U.S. Navy website has a special section on SEALs with video of their training and interviews with trainees. The conflicts in Iraq and Iran have produced excellent memoirs by soldiers, such as Lone Survivor by Marcus Luttrell with Patrick Robinson (SEALs), Chasing Ghosts by Paul Reickhoff (infantry in urban warfare), and The Last True Story I'll Ever Tell by John Crawford (National Guard in various settings).

Who's your favorite military hero in books or on film? Why does this particular hero appeal to you? If you're a writer, what are your favorite sources?

Tuesday, March 31, 2009

Jodi Thomas Talks Texas, Then and Now.

by Suzanne

One day I was pushing a cart full of groceries through the store, ignoring my three children argue about which items they could add to the cart, feeling very mommish and worn out. As per my usual habit, I cruised through the book/magazine section looking for something new to read. There was this Western Historical Romance by an author I'd never heard of before, Jodi Thomas. Thinking, "why not?" I threw the book into my cart.

That began my love affair with Jodi's books. (I've read them all!)

So imagine my thrill at meeting her at an RWA conference. Then seeing her again at the Richardson, Texas annual "Buns And Roses Tea" last fall. And to top it off, get to invite her to join us on today's blog!

Suzanne: Jodi, thank you for taking the time to visit with us. You are the Writer In Residence at West Texas A&M University campus. What does that position entail and how are you enjoying it?

Jodi: I enjoy being writer-in-residence. Once a teacher, always a teacher, I guess. I have an office in the library and most afternoons you'll find students visiting and reading their work to me. I teach one short class each year for the continuing education program and am very excited to be teaching in the West Texas A&M Writing Academy from June 8-12 www.wtamu.edu/oce. or phone for information: 806-651-2037. I feel like if I'd had a working writer to talk to I might have saved a few years struggling, so in June four multi-published writers plan to meet in Canyon, Texas on the campus of WTA&M and spend a week working with people who want to be published in fiction. So please tell any future novelist to pack their lap tops and book a room in the dorm for a week. They'll love the workshop and they'll experience a taste of my beloved Texas.

Suzanne: I'd like to do this virtual interview either in your campus office or your favorite spot on campus. If you could describe it to me, we'll try to give your readers a casual glimpse into that spot.

Jodi: I'll do better then that, I'll take you on a walk in my world. My office is on the second floor of Cornette library. My window overlooks a small campus. Last Thursday I sat out in snowy weather and watched a rodeo, today I plan to drop by the baseball game. Walking across campus I see students who look like they just climbed out of bed and headed to class. (I swear they still have their pj's on) and I see cowboys in their hats and boots climbing out of their pickups. (Some drive a hundred miles round trip a day from their farm or ranch to attend here.) I live in a place where men still hold doors and tip their hats in hello. If the wind is blowing over 30 mph. we think it's a calm day. I work among librarians, who I've decided are the kindest people in the world. My favorite spot on campus is the Panhandle Plains Historical Museum where I often walk and think.

Suzanne: What a fascinating place to visit. As a RWA Hall Of Fame Author for you Western Historicals, you've taken your readers into the world of the Texas cowboy. What do you find so romantic and enduring about these characters?

Jodi: I love setting my stories in Texas History. Between 1830-1890 Texas was a wild place where strong people carved out lives. I like to write men who are strong and try to do the right thing. They live by a code of doing what is right. I like to write characters like this because I know men who live by such a code.

Suzanne: Your most recent western historicals were the anthology, GIVE ME A TEXAN and the single title, TALL, DARK, AND TEXAN. Can you tell us about those stories?


Jodi: GIVE ME A TEXAN was about a man who'd always thought he was ugly, but he had a gift for listening. When he offers marriage to the prettiest girl he's ever seen, he does so after hearing what she truly wants. After one meeting, they board the train and head to Amarillo. GIVE ME A COWBOY-a story about early rodeo days, followed TEXAN in February 09. Check out the short look at a video of GIVE ME A TEXAN AND GIVE ME A COWBOY on my website, http://www.jodithomas.com/

TALL, DARK, AND TEXAN is a Whispering Mountain story about a man, Teagen McMurray, who had to grow up at 12. He takes over the family ranch, holds it in turmoil and raises his little brother and sister. In so doing, he hardens by 30 to a man who doesn't know how to talk to anyone. He has one friend he corresponds with by mail-a bookstore owner in Chicago. The book opens when the friend wills Teagen his wife and three daughters. And, Teagen, who has feared nothing in his life suddenly finds himself afraid of a little widow and her daughters.

I loved writing this story. I think it's one of the most tender love stories I've ever written. The reader will laugh and cry with my characters in this touching love story about a hard man who learns to be tender.

Suzanne: A few years back you stepped out of the past to write contemporaries set in West Texas, the first of which was The WIDOWS OF WICHITA COUNTY How did it feel to work in a new genre after being so successful in the historical market?

Jodi: I love historical fiction, but every now and then a story came to mind that didn't fit in the past. WIDOWS OF WICHITA COUNTY was like that because it's based on an oil rig accident. My husband tried to get me to make it fit in a historical, like change it to a stage coach accident, but I couldn't. The learning curve was huge on that book. When I finished, I told him to shoot me if I ever wrote another multi-viewpoint book again because it was far too hard. About six months later I called his office and told him to go home and lock up the guns, I was starting another one. I'm now working on my sixth contemporary, (and by the way, we have no guns in the house). I have to admit that I love writing in both styles and when I'm working in one time period, I'm thinking about what I'll do when I get back to the other. For a list of all my books click
http://www.jodithomas.com/
Suzanne: TWISTED CREEK was one of my favorite books last year. Can you tell our readers a little bit about it?

Jodi: TWISTED CREEK is about a woman who believes bad luck follows her and when good things start to happen, she doesn't think any of them can be true. She loves one person, her Nana and her grandmother is growing old and forgetful. This book is a journey into seeing people through someone else's eyes and learning to love. Readers will fall in love, not only with a place, but with the nesters, the people who stay at the lake after everyone else leaves at summer's end.

Suzanne: Your newest release is REWRITING MONDAY. It takes place near TWISTED CREEK, doesn't it?

Jodi: It does take place near TWISTED CREEK. I plan on writing a series of books set around a cluster of small towns.

Suzanne: At first glance your hero and heroine are ordinary people. What twist do you give them?

Jodi: I enjoy taking ordinary people and showing how they, just like all of us, sometimes stand as silent heroes in our lives. Pepper is a type A personality who never slows down, never backs down, and never commits in a relationship. Mike is a shy man who does his job as editor of a small town paper, not because it's the life he would have chosen, but because it's where he's needed. When they meet, she's on the run from a mistake she made that may end her career as a reporter. He feels her come into his life like a breath of fresh air, unaware that his past is about to destroy all the peace he's known.

For me this story also came to life with the secondary characters, a couple who loved one another and was separated by so much time they weren't sure they could ever get back to where they once were. REWRITING MONDAY is a story about last chances, first loves, and the longing we all have from time to time to rewrite a moment in our lives.

Suzanne: What is in store next for your fans? A historical or contemporary western?

Jodi: My next story will be set in the historical time period. THE LONE TEXAN will be the next book set in Whispering Mountain. It will be out in October. The hero was a wild kid with no one to care for him, the heroine was a cherished sister with three big brothers. Sage is a doctor returning to Texas after being widowed and Drummond, a young gunfighter who's loved her since he was a boy, is the last person she wants to run into. Their love story is as wild as Texas in 1859.

Suz: Thanks for being with us today, Jodi! It's been a great pleasure to chat with you. So, readers, which are you? A contemporary or a historical fan? And if you could go back to any time period, what and where would you go? Me? Definitely western america.

Jodi has agreed to give away an autographed book and a tote bag as a prize package to two lucky winners.

**don't forget, click on any book cover to order Jodi's books, or any on the sidebar to order the Bandit's newest releases!**