Showing posts with label Dickens. Show all posts
Showing posts with label Dickens. Show all posts

Wednesday, October 28, 2009

LORRAINE HEATH RETURNS TO THE LAIR

by Suzanne Welsh

We love to visit with repeat offenders...er... our favorite return guests, so please pull up a chair, pillow or cabana boy and get comfortable as we welcome NYT bestselling author and my dear friend, Lorraine Heath back in the Lair to discuss her newest release, MIDNIGHT PLEASURES WITH A SCOUNDREL, which just recieved 4 stars from Romantic Times magazine!

Suz: MIDNIGHT PLEASURES WITH A SCOUNDREL is the fourth in your Scoundrels of St. James series. While each is a stand alone book, each one has built upon the first and gives us a glimpse into the lives of Feagan's kids. In this story we get to see the life of James Swindler, the famed detective of Scotland Yard. (And one of my favorites.) Can you tell us about James and what he brings to the book that's different from his brothers and sister?

Lorraine: While Luke, Jack, and Frannie were favorites of Feagan's and spent a good deal of their youth under his care, James was a little bit older when he was brought into the fold and he skirted the edges of Feagan's world, never really feeling as though he belonged. He never embraced Feagan as the father figure that the others did because he had quite a strong father figure in his childhood, who we catch glimpses of during the telling of his tale. He considered leaving Feagan's den of thieves, but he'd fallen instantly in love with Frannie and couldn't bear the thought of never being in her company. Of course, as readers learned in Surrender to the Devil, Frannie was not his destined love.

Here is an introduction to Swindler and how he came to be part of Feagan's brood:

From the Journal of James Swindler
A darkness hovers inside me. It was born the day I watched my father hanged. A public hanging, with a festive air in the streets, as though I alone understood the loss, as though the object stolen was worth destroying both his life and mine.
I had been born a mere eight years earlier, and with my arrival had come my mother's parting from this world. So it was that with my father's death, I became an orphan with nowhere to go and no one to take me in.

Within the jubilant crowd of curious onlookers were two lads who recognized my plight-the tears streaming down my dirty face while others jeered and laughed no doubt telling my story. My father had told me to be strong. He'd even winked at me before they placed the black hood over his head. As though his standing on the gallows were a prank, a bit of good fun, something we would laugh about later.
But it wasn't a prank, and if my father is laughing now, it is only the devil who hears.

I was not strong that day. But I have shown strength ever since.

The lads comforted me as boys are wont to do: with a slug on the arm and "stiff upper lip, mate." They invited me to tag along with them. Jack was the older, his swagger one of confidence. Luke was wide-eyed, and I suspected it was the first hanging he'd ever witnessed. As we made our way through the teeming throng, their nimble fingers pilfered many a coin purse and handkerchief.


When darkness descended, they led me through the warren of the rookeries to the door of a kidsman who went by the name of Feagan. He had little use for the likes of me until he'd gathered the precious booty from his workers. Children all. Only one girl among them. A girl with vibrant red hair and gentle green eyes. Her name was Frannie. Once I realized that Jack and Luke had brought me to a den of thievery, I lost all enthusiasm to stay. I had no desire to belong to a place that was certain to lead me straight to the gallows. But I had a stronger desire not to lose sight of the young girl. So I remained.

I became very skilled at ferreting out information, helping to set up swindles. I wasn't as talented when it came to thievery. I was caught on more than one occasion and took my punishment as my father had taught me-with stoicism and a wink.
As a result, I became far too familiar with the fact that the legal system was not fair, and often innocence was the cost. I began to pay close attention when justice was meted out. Why was one boy given ten lashes for snitching a silk handkerchief while another was transported to a prison colony in New Zealand? How was evidence obtained? How did one determine guilt? More importantly, how did one prove innocence?

In time I began to work secretly for the Metropolitan Police. I did not fear the shadows or the darker side of London. Even when I worked openly for Scotland Yard, I traveled where others had no desire to tread.

I drew comfort in knowing I never arrested an innocent. Depending on the severity of the crime, I often sent the culprit on his way with a mere slap on the wrist and a warning that I was watching, always watching. Of what importance is a stolen bit of silk frippery when a man might have lost his life in the street? I was far more concerned with-and fascinated by-the grisly crimes.

They appealed to the darkness hovering inside me, and so it was that they garnered my ardent attention . . .

And eventually led me to her.


Suz: Mmmm...I love a hero who has his own sense of honor and justice! (See why he's my favorite?) What kind of heroine did you choose for Swindler? Why?

Lorraine: Ah, you give me far too much credit. I don't choose the characters; they choose me. For Swindler, I simply saw a particular scene (which readers will probably identify when they read it) and knew that the woman reflected in it belonged to Swindler. She worked for him because her strength was not always readily apparent, but more because neither was her goodness. She was complicated and it took someone with Swindler's skills at deduction and mystery-solving to figure her out.


Suz: Swindler and Eleanor both know the other isn't being honest with them, yet without confronting each other on this fact, they still manage to fall in love with the other. Why do you think this worked for them?

Lorraine: Because their hearts were honest with each other. And while each one was deceiving the other in order to gain something, or to further a goal, what they saw in the other person was a soul mate, a kindred spirit. What I loved about this story was the challenge it presented to me as a writer to show that the deceptions were only on the surface while the attraction was true and deep. It couldn't be ignored, even as each character fought it, knowing that it would in all likelihood lead to his or her downfall.

Suz: In MIDNIGHT PLEASURES James takes the time to show Eleanor the sites of Victorian London. Which was your favorite part of his courtship?




Lorraine: I enjoyed all of his courtship, although my favorite moment wasn't exactly courtship. It was when he was standing outside in the streets, watching as she brushed her hair in the window. Did she know he was there? Did her seduction begin at that moment? I think perhaps it did. Although I also enjoyed the balloon ascent. Not that I would ever travel through the air in a wicker basket.

Suz: I loved both those scenes, too! There is one member of Feagan's kids who hasn't had his story yet, William Graves. Will there be one for him, or is MIDNIGHT PLEASURES the last of the Scoundrel of St. James series?

Lorraine: Unfortunately, William Graves is still a bit of a mystery so when I pitched his story to my editor, it wasn't very compelling and another group of characters snatched her attention so I'm writing their stories now. However, because the new trilogy is set in the same time period, William Graves will continue to make the occasional appearance (as will the other scoundrels) as I continue to work out his true story. I know that it gets frustrating for readers when a character is left behind, but it's very difficult to write a story for a character when I don't know what that character's story is. James Swindler was much more complicated than I'd imagined but I always knew the most defining moment of his life was when his father was hanged. I'm not yet sure what defined William Graves, although I have begun seeing snatches of his story so I'm hopeful that it won't be too far in the future.

Suz: What is next for your historicals?

Lorraine: I am writing the stories of three brothers, and I'll leave it at that for now until I get book 1 finished, except to say that it is another Victorian set series. Because the brothers' widowed mother was married twice and provided each husband with an heir, the oldest brother is an impoverished earl, the middle brother, as the second son to her first husband, has no title but is a soldier returning from the Crimean War, and the youngest brother is an immensely powerful and wealthy duke. So the hierarchy in the family is slightly skewed, which creates undercurrents for devotion and resentment. It's a very complicated but intriguing-at least to me-family dynamic. They are extremely competitive and their playing field is the boudoir, where title, wealth, and position have little influence. They are judged solely on their ability to pleasure the ladies, and each has the goal of gaining a reputation as London's greatest lover. Okay, guess I didn't leave it at that, did I?

The first 2 books, presently untitled, will be released in October/November 2010.

Also an anthology that I contributed to in 2006, My Heroes Will Always Be Cowboys, was originally released in trade, but will be released in mass market paperback in February. My contribution, "The Reluctant Hero," was nominated for a RITA so I'm thrilled the story will be available again.

Suz: A competition in the budoir? Now that's my kind of competition! Can't wait to read about these three brothers. As our readers know, you also write under the pseudonym Rachel Hawthorne. What's going on in your YA world right now?





Lorraine: The 4th Dark Guardian novel-SHADOW OF THE MOON-will be released March 23, 2010. The heroine, Hayden, is new to readers. Because of her ability to experience other Shifters' emotions, she's run away to a winter resort populated only with humans, but the elders send Daniel, who was introduced in FULL MOON, to find her and bring her home because her full moon is approaching and she can't face it alone. Daniel is new to her pack, and no one knows much about him. He confuses her because she can't feel his emotions-and for the first time in her life, as she begins falling in love with him, she wants to know what someone else is feeling. But as their lives are threatened by an ancient enemy, she will begin to suspect that Daniel isn't all that he seems. Unlike the others, this story takes place during the winter so it provides a little different setting and it also brings more of the Dark Guardian history to the forefront. While books 1-3 dealt with the Shifters battling the worst of mankind, the Dark Guardians have always been in existence to protect against ancient paranormal enemies. In this story, we get a glimpse of one.

It's been interesting to see how much email I'm receiving from adult readers who are really enjoying the series. It's definitely targeted for an older teen and is a bit sensual (although how can it not be when Shifters can't transform while wearing clothes ) but it appeals to adult readers as well, which has been very satisfying to realize. For more on the Dark Guardians, readers can visit www.rachelhawthorne.net.


Suz, (with a wink and knowing smile): Any other news on the Lorraine Heath front?

Lorraine: I'm celebrating the fact the Midnight Pleasures with a Scoundrel is my 25th novel-not counting any anthologies or YA novels. To celebrate that achievement here with the Romance Bandits, I'm giving away a $25 gift certificate to amazon, Borders, or B&N-winners' choice-to one of today's lucky blog posters. And for a chance to win another gift certificate, enter the contest at my website http://www.lorraineheath.com/. It closes Oct. 31, with the drawing held Nov. 1.


Suz: CONGRATULATIONS on this mile stone! We're always happy to have you here and enjoy celebrating your good news.

So, dear readers and friends, Lorraine and I want to know, of all the stories you've ever read by any author, which character are you still waiting--hoping--the author will one day write a story about?

Friday, June 12, 2009

Lorraine Heath Takes Us Down Two Paths...

by Suzanne
A very good friend of the Bandits, NYT Bestselling author, Lorraine Heath, is joining us in the Lair once again. Excuse me while I pull the cork on this bottle of Chardonay. (pop) So y'all pull up a chair and join us for some conversation about Dukes, Scoundrels and Werewolves!

Suz, handing Lorraine a glass of wine, then stretching out on the chaise: Welcome, Lorraine! The Bandits and our buddies are so glad to have you with us again. It's always a grand day in the Lair when you're visiting. SURRENDER TO THE DEVIL is the third book in the Scoundrel’s of St. James series. Can you tell us about the book?

Lorraine: SURRENDER TO THE DEVIL is the story of Frannie Darling, a child of the streets. She is now a bookkeeper at Dodger’s Drawing Room, one of the more exclusive gentlemen’s clubs in London in 1851. When her best friend Luke marries Lady Catherine, Frannie meets the Duke of Greystone. Greystone immediately wants Frannie in his bed, but she has little tolerance for the idle and self-centered. She is far too busy gathering orphans from the streets. But when danger lurks, Greystone will be the man she turns to.

Suz: Was Frannie Darling based on a specific character in Oliver Twist, like Luke and Jack Dodger were?

Lorraine: Not really. At one point, I thought maybe she was based on Nancy, but I think she was simply herself.

Suz: How does her childhood as one of Feagan’s kids affect her life as a grown woman?

Lorraine: She’s always mothered Feagan’s lads. They’ve always watched out for her. But as a woman she wants to stand on her own, make her own way, do things her own way. When she begins to search for orphans, she runs amuck of Bob Sykes (yes, he’s based on Bill Sikes). She tries to handle him on her own, without involving Feagan’s lads—and that, of course, simply leads to more trouble.

Suz: Sterling Mabry, Lord Greystone is the hero of SURRENDER TO THE DEVIL. Have we met him before?

Lorraine: You caught a glimpse of him in IN BED WITH THE DEVIL. He’s Catherine’s brother who arrived from his world travels shortly after her father died.

Suz: Frannie wants nothing to do with the Lords and Ladies of London Society, while Sterling sees no need to help the poorer members of society? What do you see as the turning point in their relationship?

Lorraine: I think the turning point in their relationship came about when Jimmy came into their lives. Because he was such a slender-framed boy, he assisted Sykes in burglarizing homes and as fate would have it, one of those homes was Greystone’s—and the lad’s luck ran out. He was caught. But rather than send ’round for a constable, Greystone sent for Frannie in an effort to bring her back into his life. Jimmy allowed Greystone to understand more clearly what life was like for the children on the street who Frannie wanted to save and Jimmy allowed Frannie to see a very tender side of Greystone as he befriended the lad.

Suz: How do Feagan’s lads come to play in this story?

Lorraine: They do what they’ve always done: work to protect Frannie from hurt and in so doing, they smother her. Luke explains to Greystone how protective they are of Frannie: “So yes, the four of us circle around her the way one might an injured butterfly, never touching it for fear of damaging it more, forever hoping that a day will come when it will again fly.”

To which Greystone replies: “In my world travels, I saw a good many varieties of butterflies. They’re incredibly delicate creatures, but they shouldn’t be underestimated. Observing them as I did, I learned a valuable lesson. Sometimes if you surround a butterfly too closely, it couldn’t fly if it wanted to.”

He believes she’s stronger than they give her credit for being. As he’s drawn into her dangerous world, he begins to admire her courage and determination even more.

Suz: We’re going to switch gears now. I don’t know if many of our readers know this, but you are not only a NYT bestselling romance author, but you also write YA stories under the name Rachel Hawthorne. You’ve recently started a new YA series about teenage werewolves, which you are very excited about. Care to tell us about this project?

Lorraine, with a twinkle of mischief in her eyes: Would love to! The Dark Guardian series is about a group of werewolves (or Shifters as they refer to themselves) who live in a national forest. The teens of the group serve as guides—or sherpas—to ensure that no campers stumble across their village. I got the idea after watching a special on TV about the sherpa program in Glacier National Park. Each summer, college students work there hauling equipment for campers. And I thought, “What if they were werewolves?”

Suz: MOONLIGHT is already out, FULL MOON is coming out later this month, and DARK of the MOON debuts in August. Was it hard building a new parallel world for these books? Do you see the series continuing or is it only to span the 3-books?

Lorraine: The idea for the werewolf sherpas was just a shadowy concept when I sent my editor the storyline for a book. She wanted that story and 2 more with an overriding arc that connected all 3. Coming up with the mythos was a challenge. I’m not even sure I was totally comfortable with the world I’d created until the 3rd book. But then it was also the book that ended the threat they faced and so all the loose ends were tied up, whereas with 1 and 2 I was trying to determine which questions to leave unanswered.

I would love for the series to continue, but presently I don’t have a contract to write more.

Suz: So, tell us what’s next for your historical series?

Lorraine: Midnight Pleasures with a Scoundrel will be out Nov. 1. This is James Swindler’s story. Scotland Yard has charged him with determining why a certain young lady—Eleanor Watkins—is following the Marquess of Rockberry. It has quite a few fun twists and turns.

And now to segue into something that has nothing to do with MY books – I recently worked to arrange my bookshelves in some sort of order, putting all my keepers on one 1 shelf and all my to be read on another (and okay, the TBR take up way more than a shelf so I now have a “top shelf” TBR stack which are books that I dearly want to read before the year is out). Obviously I buy way more books than I’ll ever read. How do you keep chaos off your bookshelves? Or do you? Should you? How do you decide which book to read next when there are so many wonderful books out there?

And to add to the chaos of your bookshelves, we’ll draw three lucky winners from among the posters today and they can select one of the Scoundrels of St. James books or one of the Dark Guardian books as their prize. If the book hasn’t yet been released, it’ll be sent as soon as it’s available.

Tuesday, October 28, 2008

Classics remade

by Suzanne Welsh
I'm currently reading a book in the Scoundrel Of St. James series by Lorraine Heath. (Who will be joining us in December as a guest in the lair again.)
The series is an interesting concept where the street kids of the book Oliver Twist have grown up and shows us what their lives might be like now. Cool idea for a series of books. Cool for me because I loved Dickens when I was in middle and high school. Oliver Twist, Great Expectations, David Copperfield and of course The Christmas Carol. I'm secretly hoping to see Dickens make an appearance in one of these books...but then that will be up to Lorraine.


So, as I try to market this to my friends and family, I've said "You read Oliver Twist didn't you?" And to my surprise many have said, "Uh, no." So then I go for the chessy 70's musical, "You saw Oliver!, right?" Again, the perplexed look and "Uh, no." Geesh...

What did these people read in high school? How could they have missed the movie with the cute boy holding out his bowl in the orphanage and ask "More, please?" And the twinkle in the Artful Dodger's eye as he picked a pocket and scampered away?




This got me to thinking. If I had a chance to do a book about child characters from my favorite classics in literature, what book would I pick? Which characters would I choose?

How about Nancy Drew? Would she still be trying to solve crimes? Maybe she's a profiler for the FBI? Or maybe an undercover police officer? Or maybe a DA? Or maybe even a CSI?



How about the March girls from Little Women? Would you write their stories different?


Or Laura Ingalls Wilder and The Little House On The Prarie series? Would you write their stories different? Or maybe write their children's stories?






How about you? What book would you like to write a character's story in a different way or in a more adult life?

Tuesday, June 17, 2008

Lorraine Heath's return to the Lair

by Suzanne Welsh

I first met Lorraine Heath through her book TEXAS DESTINY. The story of Houston and Amelia won my heart and had me looking for anything and everything by Ms. Heath. When I moved to Texas, imagine my surprise to discover she was a member of my local chapter. Over the years we've become friends, and I've gotten to enjoy more and more of her wonderful books.

Lorraine, welcome back to the Lair. We're always delighted when you come visit us. Pull up a chair and tell us about your newest book, IN BED WITH THE DEVIL, book one of The Scoundrels of St. James series.

Thanks so much. I'm thrilled to be here again. Love you Bandits.

"The Devil Earl", as Lucian Langdon is known, came into his title in a rather odd manner. Can you give us some details?


I'm not sure I can explain it better than Lucian does himself.

"They say my parents were murdered in the London streets by a gang of ruffians. I have no memory of it, yet it has always seemed to me that I should. After all, I was supposedly there, but only if I truly am who the world recognizes me to be. The Earl of Claybourne.

It's my eyes that convinced the old gent who called himself my grandfather that I was indeed his grandson. "You've got the Claybourne eyes," he'd said with conviction.

And I readily admit that looking into his was very much like looking into a mirror at my own, but still it seemed a rather trite thing upon which to base so grand a decision. I was fourteen at the time. Awaiting trial for committing murder. I must confess it was a rather fortuitous moment to be declared a future lord of the realm, as the judicial system was not opposed to hanging young lads who were considered troublesome."

Lucian is released into the old gent's care and his life changes dramatically, even though he doesn't believe he's the true heir.

You know I love gutsy heroines and Lady Catherine Mabry was such a strong foil against Lucian. She approaches Lucian with an unusual request. How does this surprise him, and how does he respond?

She is the only lady among the aristocracy who ever had the courage to hold his gaze, so when she shows up in his library, he's convinced she's come to seduce him. When he discovers she wants him to do away with someone, he's angry. He's spent years struggling with what he did at 14, and her request brings all his self-loathing to the forefront. He tells her, "Nothing that would cause me to kill a man simply because you wish him dead." Of course, when he discovers he needs help acquiring the one thing he wants most-Frannie Darling's hand in marriage-and Catherine can help him acquire it, a bargain is struck and Lady Catherine finds herself in bed with the devil on several levels. It's the reason I loved the title for this book. It works on different levels.

This book had many unique secondary characters, some of which may be familiar to readers from the Dickens novel, Oliver Twist. What made you decide to base IN BED WITH THE DEVIL on this classic?

I woke up one morning at 4:00 with these street scamps in my head wanting me to tell their stories. I went to my computer and wrote the prologue, very little of which has changed from the initial writing. As I began researching children and crime, I discovered that Charles Dickens lived near the rookeries and is believed to have spied on a Fagan-type character and his child thieves. I thought it would be fun to make my characters the ones upon whom Oliver Twist was based. I did a timeline to put them in the rookeries at the time that Dickens was working on Oliver Twist. His work is an incredible documentary of the rookery and criminal life.

Don't you just hate it when characters disturb a good night's sleep? (grinning) Are there plans to show more of these characters' stories to your readers?

Oh absolutely. BETWEEN THE DEVIL AND DESIRE, the second in The Scoundrels of St. James series, which will hit the stores in late December, is Jack Dodger's story. And Jack, of course, would be the Artful Dodger. During this time period, it was very easy to change identities. If you were caught for a crime, you just moved over to the next neighborhood and changed your name, so I had fun naming my characters. Jack's story is an Oliver Twist/Great Expectations combo in that he has an anonymous benefactor who is largely responsible for his success. The story I'm writing now is Frannie Darling's.

I'll be watching for BETWEEN THE DEVIL AND DESIRE. (Must remind kids to stuff my stocking with gift cards!) Jack will be a difficult hero to redeem, but as a good friend pointed out to me, if anyone can redeem the unredeemable, it's you. Was it difficult to find a heroine for him?

Bless your good friend! It was hard to find the right heroine for Jack. His story actually went through about three phases. Originally I thought the woman for him was someone down on her luck who came to his Gentlemen's Club willing to sell herself-and I saw him teaching her the ways of men and falling in love with her, determined to keep her for himself. Then I saw her as a reformer set on exposing his establishment and him for his wicked ways. But then as things go, I started writing his prologue - and when I got to the end of it, I realized money motivates Jack and he will do anything to acquire it. And the proper lady for him has never sinned in her life - but when fate has him moving into her house much to her objection, she'll discover that between the devil and desire the only choice is surrender.

You mentioned Dickens and his affinity for accurately displaying the rookeries and crime element in his writing. (lifts eyebrows in a questioning manner) Will he make an appearance in one of these books?

I won't promise, but I certainly wouldn't be surprised.

You also write Young Adult and had a new release hit the stores June 10. Can you tell us about it?

Under the name Rachel Hawthorne, I write romances for young adults. LABOR OF LOVE is the story of some teenagers who go to New Orleans to help with the rebuilding efforts after Hurricane Katrina. Our heroine, Dawn, had her heart broken by her cheating boyfriend and she wants a summer without boys. She and her friends go to see a psychic and her reading is:
"I hear hammering. You're trying to rebuild something. But be careful with the tools. You might get distracted and hurt yourself - more than hitting your thumb with a hammer. You could get very badly hurt. And worse, you could hurt others. Lots of people are around. It's hot and dirty. There's a guy . . . a red and white baseball cap. The cap has a logo on it. Chiefs. Kansas City Chiefs. I don't get a name, but he has a nice smile."

Of interest about this reading is that I was struggling with the story, thought it was boring, it wasn't going anywhere. I contacted my friend Nancy Haddock, author of La Vida Vampire, and said, "I'm thinking of sending my character to a psychic. How would a psychic reading go?" And Nancy said, "Just snatches of images, something like this," and she gave me the above. Suddenly everything fell into place. I chunked the whole story, opened it with the psychic reading and it pretty much wrote itself. It's wonderful to have friends who are writers and don't think any question is too odd to ask. But I also realized that it's important for writers to experience as much as possible. The past couple of years, I've thought more than once about getting a psychic reading, just for the fun of it. Who knew I'd ever want to use it in a book?

Oh, that sounds intriguing. Those glimpses can be interpreted in more than one way. Does your heroine end up questioning her actions throughout the story?

Absolutely. Her two friends also got a psychic reading and as things happen in the story, they're trying to determine if that was what the cryptic messages meant. And when things happen, it's like "Oh, no! That's what the psychic predicted." It was just fun to write.

Okay, this question is purely for my own nosiness. You write fairly different genres under different names, and have contracts with tight deadlines. Do you ever sleep? (I know you're often awake at the same middle-of-the-night hours I am.)

Sleep? What is this thing you call sleep? Seriously, butt in chair. If I write at least 10 pages a day, I can make my deadlines. Also, the boys are no longer at home; hubby works long hours, plus he takes care of the cooking, cleaning, grocery shopping (amazing how the hint of possible early retirement will motivate a man). Besides, right now there isn't anything I'd rather be doing. When I get into the story I get a little obsessed with finishing it.

Which brings me to a question for the Bandits and friends - how do you balance your life? I'll admit that I'll drop whatever I'm doing if one of my boys calls and wants to get together for lunch. Otherwise, I tend to lock myself in the writing zone.

Lorraine has offered a signed hot-off-the-presses copy of IN BED WITH THE DEVIL to one lucky commentor, so bring them on.