Showing posts with label RITA. Show all posts
Showing posts with label RITA. Show all posts

Saturday, July 31, 2010

The BIG Awards Ceremony!

posted by Loucinda McGary aka Aunty Cindy

Tonight's the night! Saturday night of RWA's National Conference is the BIG awards ceremony! This is the ceremony where romance writers honor their own with the Rita and Golden Heart awards, our industry's equivalent of the Oscars, Emmys, or Grammys.

As you know, the Banditas were all finalists in the 2006 Golden Heart contest. That is where we "found" each other, and so this award has a very special place in all our hearts! In case you didn't know, the Golden Heart contest recognizes outstanding unpublished romance manuscripts in ten different categories. Up to 1200 entries are judged by members of RWA and are narrowed down to around 100 finalists. Editors from acquiring romance publishers judge the final round, and winners receive a beautiful pendant.

This year, our Bandita KJ Howe is a finalist in the Contemporary Series Suspense/Adventure category. KJ is a fantastic writer and we are all pulling for her to be the BIG WINNER in her category tonight!

Did you know the Rita award was named for RWA's first president Rita Clay Estrada? (Be sure to file that away for future trivia contests.) This award is for outstanding published romance novels and novellas and the contest has twelve categories. Once again, approximately 1200 entries are narrowed by judges to about 100 finalists. Winners receive a beautiful statuette much like an Oscar or Emmy.

This year A Not-So-Perfect Past by our Bandita Beth Andrews is a Rita finalist in the Contemporary Series Romance category. So many of us Banditas and BBs LOVED Nina and Dillon's story and we will all be hoping that our Wonder-Beth will be the first Bandita to bring home the lovely Rita statue!

There are many wonderful writers and books up for Golden Heart and Rita awards this year. By this time tomorrow, it will all be over and the winners will be announced. We'll get to see all the fabulous pictures and share the triumphs. But they are ALL WINNERS just to have been finalists!

Awards are so much fun! We all deserve to win one once in awhile. For instance, Posh, Jo-Mama, and I, along with Lars, Marcus, Zach, and Paolo all deserve a "Holding-Down-The -Fort" award! What about you? What kind of award would you create and who would win it?

Tuesday, March 23, 2010

The Winning Season...



by Donna MacMeans

Everyone has been a little high strung in the lair this week.

You might recall that a contest, RWA's 2006 Golden Heart contest, brought us all together so many years ago.
Now, one usually doesn't enter the Golden Heart without having had som
e success at smaller regional contests. Consequently you could say that the banditas are a collection of successful contest sluts.

I'm afraid the sluttiness doesn't go away once one becomes published. There's a whole array of regional contests for published authors. While the prize in an unpublished contest is often an editor read - for the published author, it's just another credential to add to their biography (and sometimes a framable certificate or plaque). But the grand prize remains RWA's RITA contest which earns the author, besides bragging rights, a
golden statuette.

So why are we antsy in the lair? Thursday is the day the finalists in the Golden Heart/RITA contest are announced. First the finalists receive a phone call, then the names go up on the contest website and the congratulations begin flying. This year the winners of the Golden Heart and RITA contests will be announced in late July at the RWA convention in Nashville. Of cour
se, we'll announce any bandita finalists here and post their good news on the scroll. For more information on the RWA convention, follow this link: www.Rwanational.org

The nice thing about the Golden Heart/RITA contest is that much like the Academy awards, the contest is judged by peers. For the Golden Heart, scores are collected from five RWA member judges to determine the finalists. A panel of editors determine the winner. For the RITA, scores are collected from five other published author judges to determine the finalists. Then another panel of author judges chose the winner.

But while we wait for Thursday's announcement, I thought I'd explain some of the differences between the big published author contests.

Romantic Times Reviewer's Choice Awards - Every year the reviewers at Romantic Times Book reviews magazine nominate various books/authors for a variety of awards. The reviewers choose the winner in each category and announce the winners at their convention (which this
year will be in Columbus, Ohio) in late April. The nice thing about this contest is that there is no entry fee or submission process. If you've published a book in the past year, you are
automatically entered. This year we have three banditas as finalists: Christine Wells/ Wicked Little Games, Anna Campbell/Tempt the Devil and Kate Carlisle/Homicide in Hard Cover. As I'll be at the RT Convention next month, I'll be cheering loudly for my fellow banditas to win. For more information on the RT convention, check out this link: http://guest.cvent.com/EVENTS

RomCon - This is the first year for this contest, but the prizes are simply amazing. This is the only contest with a significant financial award for the winner, but it is an expensive contest to enter and, unlike the RT award, one must enter. Like many of the smaller regional contests, the judges are screened readers. The finalists will be announced next month on April 30th. The winners will be announced at the RomCon convention in early July in Denver. For more information, check out this link. http://www.romconinc.com/

So my question for you is - do contest wins or finals make a difference to you as a reader? Not everyone enters their books into contests due to cost factors. We banditas enjoy the validation that a contest win or final can bring. Are you a contest slut? How about in another venue? Before I started writing I used to enter my paintings in local art shows. I guess once a slut, always a slut (grins). So what do you think?

Sunday, July 19, 2009

The Vision Thing

by Nancy

An article in the newspaper reminded me that tomorrow, July 20, is the 40th anniversary of the moon landing. I remember seeing Neil Armstrong step down onto the surface of our planet's nearest neighbor. Even then, with my scifi geekdom in the budding stage, I thought this was way cool. And what took us there was vision. Imagination. The ability to see beyond "can't" to "could" and then "is." A wonderful book about the power of vision to transform one's life is October Sky by Homer Hickam, which became the moving film Rocket Boys, starring Jake Gillenhaal and Chris Cooper. The New York Times quoted Frank Borman as saying that if the moon landing had been more about vision and less about rocks, the space program might've made great strides in the interim. That's probably debatable, but for me, it was always about the vision thing.


Last night, RWA honored its RITA and GH finalists, writers whose visions touched the hearts of judges. They saw what characters "could" be and do, who mined the human potential for love and turned the ore into stories of triumph over emotional pain. As I write this, a week before you'll read it, I don't know who the winners are (will be? were?). On behalf of all the banditas, however, I congratulate them and the finalists. Not everyone can win, but everyone can sell and ascend the bestseller lists, and I wish all of you the best of luck.

The space program and the awards ceremony each resulted from careful planning and a lot of effort, albeit of different types. Sometimes, though, "stuff happens," as the saying goes, and leads to amazing results.




One example of such serendipity is the career of Greg Mortenson. His memoir, Three Cups of Tea, has been on the New York Times bestseller list for two and a half years. I attribute this success to the vision of positive change the book offers.


An experienced mountaineer, Mortenson set out to climb K2 in the Himalayas as a memorial to his deceased sister. His climb ended prematurely when a companion developed altitude sickness. Mortenson and another man carried him down the mountain, a trek that left Mortenson in rough shape as well. Disoriented and sick, he wandered away from his group and stumbled into a remote village in Pakistan. The people there took him in, fed him, and put him to bed. When he recovered, they showed him around their village. One of the things he saw was a circle of village children in a field, doing their lessons together--outside because they had no school and together because they had no teacher. And he realized building a school for these children would be a much better memorial to his sister than climbing a mountain.

Getting the school built did turn out to be a steep climb. No one with influence had ever heard of him, and raising money proved to be very difficult. But he did succeed in building the school, for girls as well as boys. As the building neared completion, people from a neighboring village arrived to ask if he'd build a school for them, too. One school led to another and another until building schools in that part of the world became his life's work. A failed effort to climb a mountain led to a vision of what could be and a step forward for some of the world's poorest people.

Two hundred thirty-three years ago, a handful of men in Philadelphia dared to challenge the world's greatest empire and most powerful navy. As Abraham Lincoln said at Gettysburg, they "brought forth a new nation, one founded in liberty and dedicated to the proposition that all men are created equal." As a society, we don't always live up to that ideal, but it's out there as a model, something for us to strive toward. A vision. Granted, those early patriots had help from France, which never missed a chance to bedevil England in those days, but the vision was theirs, and it was so powerful that a French marquis (Lafayette), a German baron (von Steuben), and a Polish count (Pulaski) sailed over to help lead the army. It remains so powerful that Independence Hall is a World Heritage site and people from all over the planet come to see it.



Lucretia Mott, Elizabeth Cady Stanton, and the other women at Seneca Falls, NY, in 1848 had a vision of women controlling their own earnings, making their own decisions as to whether to work outside the home and, most important, helping to choose their nation's leaders. That same vision propelled Martin Luther King's efforts for racial equality and shaped his stirring "I Have a Dream" speech, one of the jewels of American rhetoric. As a result, African Americans count as "whole" people instead of 2/3 in the census, and all Americans of legal age can vote.





Vision doesn't just apply to national affairs but to entertainment and daily life as well. Imagination and science together gave us refrigerators and vacuum cleaners and artificial joints, among other things. An electronics salesman from Germany, Hugo Gernsbeck, was among the first to imagine television. Gernsbeck believed science would produce a utopian world. In his 1920s electronics catalogues, he featured various products and wrote commentaries on their potential. He coined the term "scienti-fiction," which became "science fiction," and helped create fandom via his magazine Amazing Stories. The SFWA Hugo award is named for him. Amazing Stories was most popular among geeky boys, possibly including two kids from Cleveland, Ohio, Jerry Siegel and Joe Shuster. And if you're a true geek, you know that Siegel and Shuster created Superman and spawned a comic book genre beloved by millions around the globe.

Walt Disney looked at the potential for electronics differently, applying it to sound recording and animated movies. He believed in it so strongly that he sold his car to pay for re-recording the sound on his landmark cartoon, Steamboat Willie. A visit to Coney Island, which was then declining in popularity, convinced him there was an appetite for rides and imaginative entertainment, especially if delivered by cheerful staff in a clean environment, and he shared Gernsbeck's belief in technology as a way to deliver a better life. Exhibits in Tomorrowland still explore that possibility.

Those exhibits rely on computer technology, which owes many of its advances to two geeky kids who rose from obscurity to become gurus of the computer world--Bill Gates of Microsoft and Steve Jobs of Apple. We can argue about evil empires and overpriced gadgets, but vision carried both of these men to the top of their field and provides convenience (along with occasional bewilderment and frustration) to millions of people.

Another business icon frequently mocked is Martha Stewart. We the homemaking-challenged don't relate very well to Martha but can still admire her talent. She realized there was a market for ways to make life easier or prettier or tastier and built an empire showing people how to create gorgeous lifestyles. She offered a vision of a nicer, more comfortable life that many people loved. Everyone now marketing homemaking product lines, magazines, and cookbooks is following in Martha's footsteps.

Also mocked despite booming business is romance fiction. If you've watched some of the YouTube videos about romance succeeding in the economic downturn, you may have shared my desire to send a really muscular, well-armed hero or kick-ass heroine to have a word or two with the TV people. But not everyone sees romance as something to apologize for. In 1980, 37 writers shared a vision about romance and came together to form an organization supporting a genre the world at large dissed. And still does. In Houston, Texas, Romance Writers of America was born. And here we all are, as the saying goes, in or trying to be in the business of romance.

Two business owners from Ohio achieved something that changed the way people travel. At Kitty Hawk, North Carolina, Orville and Wilbur Wright doggedly pursued a vision dating back to Da Vinci and beyond, the idea that human beings might fly. One December day in 1903, their glider "slipped the surly bonds of Earth," as RCAF Flight Officer James Gillespie Magee expressed it, for 12 seconds. Aviation was born. Climbing the hill to the Wright Brothers memorial requires fighting high winds all the way. Sand blows from the beach and the dunes, a stinging bombardment at times. The National Park Service site is a great place to fly a kite if the opportunity arises, just FYI. Dealing with that wind demonstrates why the Wrights found Kitty Hawk so suitable for gliders.

North Carolina and Ohio battle over who can legitimately claim to be "first in flight" and "birthplace of aviation," as our license plates state, with Ohioans noting that the flight took place at Kitty Hawk but a lot of the groundwork was done in Dayton, at the Wrights' bicycle shop. There's a replica of the 1903 glider at Kitty Hawk, but the original is in the Smithsonian. I hope to see it between the time I write this and you read it. Pieces of wood and fabric from the original plane went to the moon with the Apollo 11 astronauts.

And that little factoid brings this blog full circle. What visionaries do you admire? Who looked beyond "don't" and "can't" to "could" and then to "is?"

I'm traveling today and hope to be home mid-to-late afternoon. So be please don't think I'm ignoring your comments. I promise I'll respond as soon as I can. I'm giving away a package of books, which I can't name because I don't have them at the time I'm writing this, from RWA to one commenter today.

Wednesday, March 25, 2009

It's That Time Again...

By Kate
RITA and Golden Heart calls are going out today! Somebody's going to get THE CALL!!!

If it's you, we want to know! Leave us a comment and we'll celebrate with you!!

But meanwhile, the Banditas are on edge. Even if we don't have an entry in the contests this year, we're nervous for our friends. How can we pay attention to anything but the telephone? Will it ever ring?

We can all relate, right? After all, we Banditas met when we all finaled in the Golden Heart in 2006. I'll bet we all remember that day, right? Good things happen on RITA/GH Day, right? But it’s very stressful! It means so much! Who has time to blog???

Deep breaths, everyone.

Since we're all in a tizzy and unable to concentrate, today's post won't be about the weather (It’s a sunny 74 degrees today and I wore a wool jacket. *sigh*) or deadlines (Ack! Don't ask! The book’s due this week!!) or the core emotional theme of my book (huh?) because nobody cares! We're all staring at the telephone!

I think we need a small distraction while we wait for the phone to ring, so I've got a pop quiz for you! You’ll like this quiz. It’s all about our favorite books and authors.

I’ll go first.

What book is on your nightstand now? Jennifer Lyon’s BLOOD MAGIC

What was your favorite book when you were a child? Cinderella

Who are your top five authors? Nora Roberts, Susan Elizabeth Phillips, Pat Conroy, Robert Crais, Julie Garwood

What book did you fake reading? One Hundred Years of Solitude

What book did you buy for the cover? Hmm. Have I ever done that?

What book changed your life? Catch-22

Favorite line(s) from a book: I'm thinking, I'm thinking. Any suggestions?

What book would you most want to read again for the first time? The Prince of Tides


Whether you take the quiz or not, one random commenter will win a $15 Amazon gift certificate!

And don’t forget to let us know if you GOT THE CALL!!!

Sunday, September 7, 2008

Kristan Higgins in the Lair!

by Joan

The Bandits are pleased to welcome award winning author Kristan Higgins to the Lair. Kristan’s HQN title “Catch of the Day” won the 2008 RITA for Single Title Contemporary at the RWA conference in San Francisco. Kristan’s wit and heart are expertly woven into the most entertaining, wonderful stories of life and love that I’ve read in a good long while.

Welcome to the Lair, Kristan!

Thanks for inviting me, Joan! Ahoy, Bandits!

Can you tell us a little bit about yourself?

I'm the product of good old American middle class normalcy. Nice nuclear family, wholesome upbringing, dogs, horse, tree fort, stuff like that. Small liberal arts college, English degree, low-paying but interesting jobs. I'm married to a great guy, live in my hometown, am mommy to a lovely daughter and adorable son. Not too exciting to read about, but definitely wonderful to have!

I think my defining trait is that I'm a hard worker. Goes with being a Connecticut Yankee. We tilled the rocky soil and got stuff to grow. We're not whimsical people...you say you're going to do something, you get to work! That's something that's served me well as a writer...I'm not sentimental about my own work. It's just my job to make it as good as I possibly can. I love my books, of course, but I'm also my own sternest critic. It sounds harsh, but it actually saves me a lot of time.

Many authors say they’ve been writers all their lives. How about you? When did you start writing?

I didn't start writing fiction until about eight years ago, but I'd always worked as a writer, which definitely helped when I did sit down to write a novel. I didn't have to learn about things like "show, don't tell," having come from advertising world. As a copywriter, I wrote every day. I had to write bright, vivid copy that got your attention, and I had to do it on a deadline. I was lucky, because when I started writing fiction, that muscle was already pretty developed.

But despite the lack of any real fiction writing until not too long ago, I feel like I've been a writer since I was a teenager. See, I read Gone With the Wind when I was 13. My copy was 1042 pages long, and I spent 1041 pages believing that Scarlett and Rhett would get back together. When the ending came, I was, no exaggeration, devastated! Being 13, I had no appreciation for subtlety, so I spent much of my teen years imagining that famous couple back together...all those missed opportunities taken, Scarlett's stubbornness abating for just a minute, Rhett's pride dropping enough to say those three difficult words. I read Gone With the Wind 14 times. In a row. This should give you an idea of my teenage years. Picture me, glasses, bad perm, a bowl of ice cream by my side, sitting in the cellar on a hot summer day, reading. (Now that I think of it, the only difference between then and now is that my hair is better...)

You do a masterful job of crafting a heroine you want to cheer for as well as a hero you long for. Which do you find easier to write?

Thanks for the 'masterful,' Joan! So far, I've written in first person, so I'd say the heroines are easier, since I'm right there in their heads. I do love the heroes, of course. First person is fun, because everything that the narrator states is true may not be. That's why I love writing that way...if, for example, I'd given Malone in CATCH OF THE DAY his own point of view, he wouldn't have been nearly so interesting. In my opinion, anyway.

One of my favorite parts of writing is when I outline the hero's character. I always swore I'd never write a brooding alpha male...I've found that if I've sworn not to do something, it probably means I should do it. So I figured, what the heck? Let's do a brooding alpha male. But I wanted him to have reasons to be a loner, to be brooding, to be reluctant to talk about...well, in Malone's case, to talk about just about anything. I figured his actions would tell the readers everything. Making up his history, family background, personality...that was fun. My heroines tend to come to me fully formed, but the heroes take a little more time. It's amazing, too, how true it is...your characters take on a life of their own. Sometimes it feels like I'm not really writing...I'm channeling.

How did puppies get to be the focus of your covers?

The marketing department at HQN loved Digger, the dog in my first book (FOOLS RUSH IN). And who doesn't like a dog? That cover was so charming that the publisher ran with the theme. I hadn't deliberately decided to have a dog in every book, but I do love dogs (Digger is actually based on my own sweet dog of the same name). I don't think I'm going to have a dog in a book just for the sake of it, but I write about women who are looking for commitment. Having a pet shows commitment, so it feels natural that my heroines are also pet owners. In the book I'm writing now, I think I'm going to have a cat. This is a blatant suck-up move for my own two cats, who adore and snuggle with my children but ignore me unless they need to go out. And in. And back out. And in again. I'm just the doorman in their eyes.

The You Tube video of the trash talking ST finalists was hilarious. Did you find it hard to embrace your inner Soprano?

My inner Soprano is alive and well! Actually, I've always loved doing different accents (you should hear me reading Harry Potter to my kids). But doing it for public viewing...much, much harder! I had to send my family out of the house for the filming. It took me about 10 tries. Originally, I'd wanted to have my own dog in the clip, but he kept licking my face or jumping off the couch, so I had to go with a prop. I actually had someone approach me at the National conference, not because she'd read my books, but because she recognized me from the video.
:-)
(Joan: Gulp, {sheepish look})

What did it feel like to win the coveted RITA award?

Well, I won't lie. It was one of the happiest nights of my life. Definitely in the top three. First of all, I got to wear a GOWN! I haven't worn a gown since my wedding day! That was prize enough. I really didn't expect to win...Rachel Gibson, anyone? The great Susan Andersen? Jennifer Greene? In fact, I'd say CATCH OF THE DAY was definitely a dark horse candidate. So when the presenter read my title, I was stunned, and just so, so happy. Floated around for days. Still can't quite believe it.

Your latest release “Just One of the Guys” features a beagle with a fireman’s helmet and your DH is a firefighter. Was he your inspiration?

Absolutely! I'd been waiting to write a firefighter hero, and I can't tell you how much fun it was to both honor and gently mock the firefighters I know, including my DH. My husband is definitely a hero. He's done amazing, extraordinary things...my son and I once watched him drag an unconscious man from a burning building. He's picked up severed limbs at accidents, calmed strung out teenagers, made hearts beat again, and he does those things with a grace and calm that are astonishing. That being said, he can't make our bed to save his life, and he refuses to follow directions when driving.

One of the best things about writing JUST ONE OF THE GUYS was having my husband read it. He doesn't read my stuff until it comes out, so it was awfully touching to see him get all teary-eyed when he read the dedication. It's to him, of course.

You share on your website that you like to bake. We have quite a few bakers in the Lair ::cough:: state fair winners ::cough:: What is your favorite thing to bake?

Ooh! I love to bake. I have a few blue ribbons myself! I love to bake apple pie, because it makes the house smell so good. Chocolate chip cookies are a specialty...let's see...banana bread, rice pudding, sponge cake. All my recipes are from my grandmother, who was an amazing baker. At Christmas, I make Hungarian cookies, which are so complicated and difficult that I always say if I don't cry, I'm doing something wrong. But the pay-off is wonderful, and I'm the only one in my very large extended family who bakes them, so I'm quite adored come December. In the book I'm working on now, the heroine is a baker. I feel it's my job as a good writer to eat as many pastries as I can...all in the name of research, of course.

Now I have a question for the Bandita’s and their BB’s. One of the things I hear a lot is that my books are “standard” romantic comedy…..my characters aren’t famous people, ex-military or extraordinarily gifted, and I tend to close the door on love scenes. What books have you read that veer off the beaten path but deliver the goods anyway? I have to confess that Loretta Chase’s “Lord of Scoundrels” did that for me. An ugly hero who had really, really good reason to shy away from love . From page one of that book there was a tension and electricity in that book that didn’t stop till the end. So how about you guys?

Tuesday, July 29, 2008

And They're Off!



Okay, Bandita Buddies. This is it. The Big Ticket. Our Annual Event.

The Banditas have left the Lair.






For the next five days, if you're looking for us, you'll find us at the Romance Writers of America's Annual Conference in San Francisco. We'll be stalking agents & editors, hanging out with old friends at the bar, attending workshops, hanging out with new friends at the bar, stalking our favorite authors, hanging out with total strangers at the bar...

You get the idea. :-)

Hope we see some of you there! But if San Fran wasn't in your budget this year, keep visiting us here in the Lair this week. The Romance Bandits have your back. We have cameras & internet access, so check this page over the next couple of days for breaking news, interesting tidbits, the latest gossip & possibly some of the coolest shoes ever. (That'll make sense in a couple days, promise.)

And stay tuned also to RWA's website on Saturday night, where the winners of the Golden Heart & RITA awards will be posted in real time. Anna Campbell is a double RITA finalist, Susan Seyfarth is a double Golden Heart finalist & Kim Howe is a Golden Heart finalist. Our own Louisa Cornell has a horse in the Golden Heart race as well, so keep an eye on this site: www.rwanational.org

See you all when we get back!

Monday, May 5, 2008

Jane Porter's Bandita Booty!


Thanks, everyone for making Jane's visit to the lair such a great day. Jane very generously donated two prizes, so without further ado, here are the winners:

ODD MOM OUT, Jane's RITA-nominated book - TERRIO!

KING OF THE DESERT, CAPTIVE BRIDE and THE SHEIKH'S CHOSEN QUEEN - MAUREEN!

Congratulations, girls. Please email Jane at jane@janeporter.com with your snail mail details and she'll send your books out to you.

Tuesday, April 29, 2008

Jane Porter Is in the Lair!

by Anna Campbell

I first met the fabulous Jane Porter at Romance Writers of Australia's 2003 conference. She was our keynote speaker and I was blown away by how smart, sincere and perceptive she was. Since then I've become addicted to her stories. If you want an honest, compelling, passionate read, I can't recommend her writing highly enough. And it seems this year's RITA judges agree with me as ODD MOM OUT is a finalist in the Novel with Strong Romantic Elements category.


Congratulations on the RITA nomination, Jane! I have trouble keeping up with everything you do! You’re amazing. Let’s start with your most recent single title, MRS. PERFECT (available 5th May), which has received rave reviews from Publishers Weekly and Romantic Times. Can you please tell us about this story?

MRS. PERFECT, like ODD MOM OUT, explores the theme of appearances, self-image and what lies beyond the public image. We women tend to be so hard on each other and I wanted to write about two women who didn’t like each other, yet were forced to deal with each other on a regular basis. I discovered that these women, although quite different from the other, actually had a lot in common. I also discovered that at the end of the day, we women have to be compassionate towards each other, but also towards ourselves. I really love this new book, too. It’s a story very close to my heart and I hope readers will enjoy it, too.


You write both single title books and classic Harlequin romances. Do you approach the stories differently? Do you think at heart, you’re telling the same story? What are the advantages of straddling a category and a single title career? What are the challenges?

I don’t approach my Harlequin and 5 Spot books that differently. Each time I sit down to write, I want to believe there’s a different process at work, but then it turns out to be the same: write and write and write until I find the passion in the story, and the truth, because every story has its own truth. Every story has a reason for being written. My goal is to find the meaning then grow it, flesh it, blow it up like a child’s beach raft. I want every story as full as it can be and in that respect, writing is the same. It does help, though, that I write the Harlequins in third person and the 5 Spot novels in first. I also like to think of my Harlequin heroines as modern day fairy tale princesses, while my 5 Spot novels are the women next door, or the woman sitting across from me in the airport lounge. One is more mythic while the other is more realistic, but at heart, I am telling the same story, and it’s a story I’ve been telling a long time-—we all deserve love, we all deserve a wonderful life, we all should take risks and go for more because this is the only life we’ve got and we want it to be the great adventure we’re hoping for. I don’t know if there are advantages to straddling category and single title. Sometimes switching back and forth between the two is really hard for me and I lose some significant writing time. But the positive is that it keeps me and my writing and voice fresh. So perhaps that’s the advantage—it doesn’t allow me to get too comfy. I’m always switching it up and hopefully, ultimately, it improves the quality of my writing and storytelling. In the barest market terms, I personally find category less stressful than the single title market. Category has a safety net below it that the single titles do not, and Harlequin Presents has a huge net because the name is so recognized that readers look forward to the new releases every month and there’s a good chance my books will be bought simply because they are Presents. That’s quite a relief as I never know what will happen when my 5 Spot book hits the shelves. I hope people will go out and buy my books, but will they know a new one is out? Will they wait fourteen months for a follow up? Or will they find another author to read instead?

I think you’re one of the finest writers working in category at the moment, particularly when it comes to intense, passionate stories. Can you tell us about your latest Harlequin Presents? What do you think is the secret to the popularity of Harlequin Presents? What advice would you give to someone targeting this line, Harlequin’s most popular?

My April and May Harlequin Presents are linked. They’re duet books, sheikh books, about two of the three royal Fehr brothers. I love writing sheikh books and these were particularly fun as I got to explore new cultures and customs. Parts of the April book are set in the United Arab Emirates and the May book is almost entirely set in Egypt. I’ve wanted to write about these places for years and it was such a blast. Probably some of the most fun I’ve had writing in years. I think Presents’ appeal in large part rests on its diversity in tone and style. The author voices are undiluted and the storylines, while at times beloved and familiar, are reinvented by each author. Readers love their alpha heroes, too, and I also think readers love intensity and seduction as well as passion and that’s the Presents promise-—passion guaranteed. If a writer wants to write for Presents you need to know the line. You need to read the line. You should read sheikh books by Penny Jordan, Susan Stephens, Sharon Kendrick, Trish Morey and see how we all handle our sheikhs so differently. Then read the Greek tycoons and read a Lucy Monroe and then a Sandra Marton and a Kate Walker. Read across the line and then write. Write your sheikh. Write your Greek tycoon. Write your gorgeous Italian. Make the classic Present themes yours. Because that’s the best way to sell to the line--understand it takes a strong voice and a strong vision and then heart, lots of heart and just go for it, making sure you are pushing your voice, and the sensuality and the characters to the max. Don’t write safe. Write like this is the only book you’ll ever write. Hold nothing back. And then submit and if it comes back, try again. It’s the only way to succeed. Take it on the chin and then come back for more. We writers have to have strong hearts to deliver the ultimate love story to our readers.

I think you’re a master (mistress?) at writing emotion. I cried my eyes out in THE FROG PRINCE and found myself caught between laughter and tears in FLIRTING WITH FORTY, which for anyone who hasn’t read it, is a wonderful story about having the courage to take life’s unexpected paths. Do you have any hints on how you achieve this emotional punch and depth?

Thank you for yet another lovely compliment, and I wish I could say that it’s luck, or talent, but really, it comes from being sensitive and having taken some hard knocks in life. I have a wild heart and when I write all the stuff I don’t want people to know, comes out. All the needs and hope and pain. All the grief and loss. All the bitter disappointments and unanswered dreams. I can point to the places where my life hurt and my heart broke—-the death of my father when I was fifteen. I waited years for him to come back and I tried for years to keep my family together so we’d all be there for him. But he didn’t come back and we got my stepfather instead who ruled our family by ruling my mother with his fist. I still can’t write about that too much because it’s such a wild, livid hurt. To see a huge man take down a woman, and not just any woman, but your mother, breaks not just your heart, but something in your mind. Living with domestic violence gave me thoughts and emotions that aren’t civilized and the only way I got through those seven years was by being bigger, fiercer, angrier than the violence around me. People look at Jane with her shiny hair and straight teeth and they don’t know I use hair and teeth and pretty clothes to hide the animal in me, the one that was hurt so badly and the one who will hurt others if they get too close to my family. These thoughts, these emotions are suppressed now but they surface when I write and instead of shrinking from them I let the beast loose and say to myself, ‘bring it on.’ Bring it on! Whew. I’ve faced some pretty big demons and I just thank God I’m not fifteen anymore. Or seventeen. Or twenty-five. Thank God I’m in my forties and so much tougher, as well as optimistic. Writing helped heal me, but writing also breaks me open again and there I am, confronting all the sad parts and pain, the teenage girl who can’t accept death and violence. I’m lucky I write. Writing allows me to reframe life, and to create better endings, happier endings. Fortunately, as I’ve grown, my stories have grown and my characters have, too.

You’re a dynamic presenter, a wonderful ambassador for romance writing. Does promotion and public speaking come naturally to you or did you have to work at it? Also do you have any advice for (often introverted) writers forced into the public light, as we all are in this day and age?

Anna, I have to work at everything. I really do but I suppose I don’t mind working hard. Regarding public speaking, that isn’t as difficult for me as for some because I grew up doing theatre and when I was on stage inhabiting a character, I felt free and safe because I was no longer me. And when I began public speaking, I would revert to the inner actress in me. I’d project confidence and hopefully charisma but it isn’t effortless. I’m often exhausted later, when I’m ‘off stage’, exhausted from trying to be more than I am, better than I am. I always try so hard because I’m afraid of disappointing people, afraid of being belittled. My advice to introverted writers is to focus on the message you want to give/share. Believe in the message, know why you want to share it, and if you find it difficult to believe in it, then maybe you don’t want to do the whole public speaking thing. One can be a NY Times bestseller without ever speaking at a single conference or awards ceremony. Do promo to the extent it works for you and nothing beyond that. Seriously. I’m trying to scale back on my speaking and promoting because it’s begun to get in the way of my writing. It’s easier for me than writing but I can’t make a career off of speaking. That’s not why I’m in this industry so its time to focus on my priorities so that’s what I’m doing in the next couple of years. Words for books and less words at podiums.
FLIRTING WITH FORTY is currently being filmed for Lifetime TV with Heather Locklear playing Jackie. How does it feel to know one of your stories is moving into another medium? Odd? Exciting? Scary? What do you think made this story cinematic? My guess is the gorgeous surf instructor Kai, but then, we both know I’m shallow! ;-)

The movie thing is great. It’s quite surreal though and I have moments where I don’t understand any of this at all. Why my book? Why Lifetime? Why Heather? Why now? It took me so long to sell the first book, and I’ve taken so many hard reviews, why the good? And then I think. Why not? If I can take the bumps and the blows, why not happy things? In terms of the actual movie, it’s really quite different than the book. It’s the same concept but with different scenes, although yes, the sexy surfer remains.

What’s coming up next in the world of Jane Porter?

What’s next for me? More books. My next 5 Spot novel will be out in July 2009, I’ll have another Harlequin or two out in ’09 as well, and I’m looking forward to spending more time with friends and family. And fingers crossed, having one more baby, too.

Thanks for a great interview, Jane! Jane has very generously offered commenters TWO prizes. One lucky person will win ODD MOM OUT, her RITA finalist. Another lucky person will win the Harlequin Sheikh Duet of KING OF THE DESERT, CAPTIVE BRIDE and THE SHEIKH'S CHOSEN QUEEN. So let's put our imaginations to work. Pick a favorite romance novel or two and cast the hero and heroine and tell us why. Good luck!

Sunday, March 9, 2008

Of Golden Hearts, Golden Ladies, and Grungy Guys

by Nancy Northcott

This is a big month for some people in RWA. The calls go out in late March to the finalists in the Golden Heart ("GH") and RITA contests. The people who're most relaxed on the designated calling day are the ones who don't have a horse in either race. Those who do cope with it in various ways--sitting by the phone, avoiding the phone, watching hungrily for posts online, checking occasionally, or avoiding RWA email loops altogether. Or eating chocolate. When all is said and done, though, some people are going to be very, very happy while others are going to be very, very disappointed, with a bunch in between.

Having a little perspective helps us deal with any exciting success or stinging disappointment. When it comes to contests, I like to remember the wise and gifted writer, J. R. R. Tolkien (which may clue you in to which grungy guy we're going to be discussing). In The Fellowship of the Ring, the hobbits meet Strider at the Sign of the Prancing Pony in Bree. He then takes them into the wild, protecting them from the black riders. Tolkien includes, later, a poem about Strider that starts, "All that is gold does not glitter." And so it is with manuscripts and books.

Finaling in the GH will not, contrary to what some entrants think, sell a book. It gives the author exposure, which she (or he) needs to be ready to use to advantage. Finaling in the RITA will not catapult an author up the publishing house ladder. As Joan comments, finaling in the GH is an honor that helps "validate and nourish the frustrated writer's soul." The same would go for the RITA. Neither is, however, the secret elixir. Ask any bandita. Anyone who judges these contests can tell you that fabulous books, every year, don't make that final few. It doesn't take much to keep one out, and a lot depends on how the book strikes its randomly allotted judges. So a book that finals really wowed its judges. We should all celebrate that.

The RITA, of course, is a golden statue of a woman seated and writing. It's gorgeous. I think it's safe to say we all want one someday. Several banditas have the Golden Heart pendant (not shown at right, but this resembles the pins RWA gives finalists for their name badges). They're also gorgeous. And the nice thing about the GH is that while only one person can win, more than one can have a manuscript requested by an editor or agent judge. And everybody has the option to dress up for the ceremony.

Which brings me, at last, to the grungy guy. Tolkien's Strider appears to be a woodsman. He doesn't look much like what he is, Aragorn, Dunedin and rightful King of the West. The poem speaks, in beautiful word images, about strength not withering and about the fact that wandering doesn't mean you're lost. So it is with the quest for success in any creative endeavor. Success requires the strength to persevere. Wandering, which is often signposted with rejection, is an opportunity to develop the skills that make grasping success possible.

Good luck to everyone with a horse in the March RWA races!

How do you deal with waiting for contest results? In what endeavor have you had to persevere? Have you ever felt that you're wandering in the wilderness while others find the success you seek? How do you keep going?

Soon-to-be-published bandita and bibliophile mystery author Kate Carlisle shares this photo from the night Gemma Halliday presented her with the Golden Heart for the Novel With Strong Romantic Elements category. Congratulations and thanks for sharing, Kate!