Showing posts with label Heroes and Hunks. Show all posts
Showing posts with label Heroes and Hunks. Show all posts

Saturday, October 10, 2009

Denise Rossetti asks--Are Blonds More Fun?

posted by Christine Wells
Today I'm delighted to welcome back to the lair one of our favourite friends, Denise Rossetti, who is here to talk about hot blonds and her fabulous hot fantasy romance, THIEF OF LIGHT.

Quick! Close you eyes and picture your favourite cabana boy! Okay, what colour is his hair?

There you go. Bet you said black or brown, or maybe bald and shiny if you’re a Bruce Willis groupie.

It’s the strangest thing, Romancelandia is crowded with Tall, Dark and Handsome – with the emphasis on dark. Think of all those dangerous dukes, broody vampires and buff bodyguards and I bet you’re seeing dark locks. Yes, I know there are blond heroes, but they don’t spring to mind as readily as the brunets. (Of course, Sven is the exception.)

My heroes are almost always dark, a few are gray at the temples. But even if they’re fair-ish, there’s always a hefty dollop of red - that beautiful dark red, not carrots. *sigh*


On the other hand, I have to say some men are positively improved by going all blond and flowing. Take Orlando Bloom for instance. (Form an orderly queue to the left and no pushing.) Legolas is a real knee-trembler in my opinion. I much preferred him to Will Turner from Pirates of the Caribbean. Unless it’s the pointy ears… Hmm…

Jason Isaacs is wonderful whatever he does, but there’s just something about Lucius Malfoy. He’s so cold and nasty, he’s actually hot. And those white-blond locks just make the character.

But the heroes in my books? Nope, no blonds. Nu-uh, don’t do ‘em. So when Erik Thorensen turned up inside my head and refused to leave, I was more than a little bemused. What’s more, he folded those big arms across his gorgeous chest, fixed me with a searing blue gaze and informed me he had Viking ancestors, waaaay back in the family tree. Just deal with it, woman.Uh, okay. Erik can be extraordinarily, magically persuasive. It’s that deep, beguiling voice.

What do you think? James Griffin, the cover artist, did his usual fabulous job of plucking the character right out of my head. By the way, if you’re interested in how he does it, he explains his artistic process step-by-step in an interview on my blog. I love the way Erik strides toward you out of the picture. Typical of the man.


This is Prue's (our heroine) first sight of Erik. The beard, by the way, is part of a stage costume. It comes off. So does the rest, eventually. *snork*

When the lights came up for intermission, she was still trembling on a deep, visceral level that dismayed her more than anything had in years. Erik Thorensen had come striding out of fire and brimstone and clasped the shrinking heroine to his chest. And yes, he was a marvelous-looking man, his hair loose on his shoulders like dark-spun gold under the stage lights, the neatly trimmed goatee a shade darker. His eyes were such a vivid blue they pierced Prue all the way to her soft, silly soul. He was big too—so big only the athleticism of his tall muscular frame prevented him from looking blocky. Gods, exactly the physical type she preferred, right down to the mischievous glint in his eye.

But Prue had spent almost two decades surrounded by the most beautiful people on the world of Palimpsest. She was accustomed to perfection, even to the delightful frisson of sexual dominance Erik projected so effortlessly. He was a fine actor.

But merciful Sister, that voice!

He’d glanced directly at their box and his face had lit up with a grin that had pure devil in it. Then he’d opened his mouth. From the first effortless bar, her foolish heart had tumbled into his keeping. Every note was round, rich, deeply masculine, filling the auditorium as if supported on smooth columns of air. Utterly enthralled, Prue had found herself leaning forward, her mouth hanging open, trying to breathe him in, keep him forever, hers alone. She felt feverish, tingling, her breasts tight and her sex swollen and slippery, as if he were stroking her naked body with velvet.

Even worse, the costume, in an old-fashioned style still worn only by the oligarchs on Green IV, suited him to perfection. A pair of over-the-knee boots emphasized the power of thighs and buttocks encased in tight cream breeches. Prue’s mouth watered.

Thief of Light is the second in the Four-Sided Pentacle series, following The Flame and the Shadow. Here’s a little more about the book.

In the elegant, subtropical city of Caracole, Erik the Golden is widely known as irresistible; his Voice an instrument of incredible pleasure, the stroke of velvet on bare skin. But the Voice is a curse as much as a blessing, for once Erik used it to steal a soul, and now he must pay.

Prue is the business manager for the beautiful courtesans of the Garden of Nocturnal Delights. She deals in numbers, not Magick, and when Erik turns his charms in her direction, she sees only a performer’s vanity. How is it she can resist what others can't? She's either a torment devised by the gods to drive him mad—or Erik's last hope of salvation.

Some desires are impossible to resist...

Read the first chapter.
Coming 3rd November, 2009.

And you know what? I don’t care if I’m shallow about hair. What’s the point of having a fantasy if it’s not exactly the way you want it?

So tell me, do a hero’s locks matter to you at all? Colour? Length? More to the point, can you work out why? Did you imprint on your first love’s hair, like a gosling? I know one reader who mentally converts all the blonds to brunets because she simply can’t visualize a golden-haired hero.

I’m delighted to offer a signed copy of either The Flame and the Shadow or Thief of Light to one commenter. Bring on the Hair Wars!

Thursday, July 16, 2009

Recipe Roundup, Bandita Style

I love recipes. A smidge of this, a dash of that, and little care and voila - a delicious result. Especially when the smidges and dashes are mixed together by Banditas (and Bandita Buddies, of course). For fun, Auntie Cindy came up with this idea and we thought we'd share a few Bandita Recipes. Not for a decadent chocolate dessert or a rich stew, but even - much more likely to be found in the lair - a tart margarita. Nope, these are the Perfect Hunk Recipes. We all have our own idea of the perfect hunk, right?

Aunty Cindy's, for example:
Take Indiana Jones' fedora, whip, and derring-do
Add a pinch of Will Turner/Orlando Bloom's intensity
Mix with Wolverine/Hugh Jackman's physique
A dash of James Bond/Pierce Brosnan's mischievous sparkling eyes
Blend well, pour into a Regency waistcoat and savor the results.

Oh my, doesn't he sound tasty?

Posh shared this recipe:
Take Thomas Crowne/Pierce Brosnan's sly genius
Add Rick O'Connell/Brendan Fraser's to-die-for physique
Add a dash - just a little - of Will Ferrell's zany humor
Mix with Kurt Russell's macho good looks
And finish off with a sprinkling of John Cusack's vulnerability
Voila!

*wiping drool off chin* Voila, indeed!!

Mmm, getting hungry yet?

Nancy offered this:
Hugh Jackman's height (we tall females like that), build, and non-Wolverine hair Pierce Brosnan's eyes Viggo Mortenson's swordsmanship Gregory Peck's voice in Patrick Stewart's accent Daniel Craig's hard edge leavened with Richard Dean Anderson's humor (not a movie hero, but I'm warping him in (no pun intended - that's the other STAR thing) since Stargate was a movie). And doesn't Craig have dimples? I'd like there to be dimples.

Ooooooohhhhh, dimples. What's yummier?!?!?!

Donna's recipe is quite specific!
Troy/Eric Bama physique
Patrick Swayze ability to dance

American
Gigolo/Richard Gere eyes
Jude Law lips
Alan Rickman intensity

Hugh Jackman accent
combine, shaken - not stirred
Then serve. Do not under any circumstances cook I like my man raw

I can see her point, can't you?

Madame had this recipe to share:
Richard Armitage's intensity Daniel Craig's toughness Matthew McConaghey's easy charm (when the occasion warrants) Stephen Fry's wit (OK, my guy has multiple personality disorder. What can I say?) Looks like Clive Owen

Mouthwateringly delicious, if you ask me!! I'd take two helpings.

Beth shared her favorite recipe: Take Ryan Reynolds' physique Add Bradley Cooper's sexy grin Mix with Shia LaBeouf's unique charm, A smidge of Seth Rogan's humor And a dollop of Hugh Jackman's accent and singing ability. Stir gently, pour into a movie theater seat and enjoy!

*sigh* Now doesn't that sound wonderful?!?!


And my recipe?
Start with Johnny Depp, with his humor, smile and personality
Sprinkle lightly with Legolas’ serene mysticism
Add a large dash of Hugh Jackman’s delicious physique
A hint of Jon Bon Jovi’s rocker voice An extra large spoonful of Captain Jack's naughtiness
And a smattering of Rick Castle’s boyish charm
Stir him all up and serve him to me on a very large platter, with a side of chocolate sauce!!

How about you? What would YOUR perfect hunk recipe be?

Wednesday, January 14, 2009

Romantic Hero or Sexy Dude

by Tawny

Or... An ode to Captain Jack.

I love men. I mean, they really are the best game in town, right? They are definitely the reason I read, and write, romance. To me, as strong as I might empathize with the heroine, I have to be able to fall in love with the story hero to really get hooked on a book.
But lets be clear. There are men, then there are Heroes. You know the difference, right? There are hot, sexy guys that are soooo good to look at, but really would make lousy heroes. Then there are heroes, who are, of course, definitely sexy and yummy.

So what's the difference? I don't mean the difference between an alpha and beta hero. Or the difference between a good boy and a bad boy. They all fall in the hero list. And really, what is heroic is somewhat personal to each reader. We all have our favorite kind of hero, right? My question here is the bottom line between what makes a hero someone that, when the story is over you think will be there for the long term and that you believe is good for the heroine.




Lets take one of my favorite characters. Captain Jack Sparrow (lets all pause to sigh in appreciation). I love this guy. He's cocky, he's strong, he's sexy as all get out. On the yum scale, he's right there at the top, lip smackingly yummy. Now, he's got a job, of sorts. He's heroic in that he does, eventually... and yes, with self-interest, the right thing. But... I don't think he'd be a great romantic hero. Why? Because I while I totally believe that Captain Jack could and does act heroically, I don't see him sticking around. His first love will always be the sea, and the freedom that implies.

I've played with scenarios in my mind, written little mental vingettes that feature him as a romantic hero, that bring him the perfect heroine who would bring out the best in him while accepting that wilder side that makes him so incredibly sexy. But... it never jives. He has to change so much in my mind, he loses that sexy edge that appeals to me so much.

To change that, you'd change him. And while I'm all for heroes growing and changing, to me a real hero is enhanced by his relationship, not changed into someone else (how many times have we gone into, or heard of gals going into relationships with "once I change this one little thing, he'll be perfect" in mind. Thirty years later, that one little thing is still going strong.)


I know there are other guys with that same non-hero sexiness. What I don't know is who they are. I'd love to hear yours. And... all that said, if I had a free pass for a wild weekend with Captain Jack (pure fantasy, mind you -especially if you're reporting back to my husband *g*) I'd jump at the chance. Which leads me to my question of the day.


Of those ever-so sexy non-heroes... who is your dream hunk? And where would you take him for a fantasy weekend? (No need to detail the itinery *g*) I'll pick one fantasy post to send a copy of Risque Business!

Monday, October 22, 2007

Show me the hunks!

by Anna Sugden

No, this isn’t an excuse to plaster the blog with pictures of hunks. Well, that’s not the primary reason *grin*.

As writers, we all have different ways to help the writing process along. For many of us, visual cues really help.

A number of writers use collages and/or picture boards to represent their stories. These visual references can include pictures of specific elements - people, places or objects - representing characters, settings and key items in a story. They can also contain images which reflect particular emotions or the feel they want a book, chapter or scene/event to have such as a happy reunion, a melancholy misty seascape or sun-splashed flowers in a field.

Visual references don’t have to be limited to pictures. Some collages are elaborate, containing tactile elements (like fabrics and materials), miniatures (cars, furniture, clothing) or specific objects (eg a necklace, a matchbook, a flower).

When I start a new book, one of the first things I do is find pictures of my hero and heroine. Past heroes have been inspired by Matthew Mcconnaughey, Colin Firth and Hugh Jackman, while my heroines have been as diverse as Kim Delaney, Meg Ryan, Jennifer Ehle (Lizzie in the series of Pride and Prejeduice) and former punk star, Siouxsie Sioux.

Then, my good friend Samhain author Christyne Butler (http://www.christynebutler.com/) creates a mock book cover - complete with title, logo and strapline. These are the fabulous mock covers she made for my two hockey books. (You knew I’d get my hockey hunks in there!)

These covers grace the walls around my computer. The one representing my current manuscript takes pride of place above my screen. What better inspiration than to see a ‘book-cover’ for the manuscript I’m writing? And what better motivation than to imagine how my book may look on a shelf some day?


For the writers among you, do you use visual means to inspire you and who do your current hero/heroine resemble? For the readers, do you like to be told who a hero or heroine looks like or do you prefer to imagine them for yourself? And do they always resemble the same person - are they all Brad Pitt regardless of how the author describes them - or do you try to create an image based on the book’s description?

Thursday, September 13, 2007

Lucius Vorenus, Titus Pullo and YOU!

posted by Aunty Cindy

Last night, I finished watching the DVDs of the HBO series Rome including the “Bonus Features.” During the latter, a comment made by one of the show’s creators really resonated with me. He said that people were attracted to the show because of the characters. One minute, viewers would say, “Wow! Those people are just like me!” Then five minutes later they would say, “Wow! Those people are nothing like me!”

I couldn’t agree more, and I believe the same duality is true of all fictional characters. The audience needs to be able to identify with a character’s traits and actions, but at the same time, the character must go far beyond most ordinary human beings.

In Rome, it’s easy to identify with and like the character Lucius Vorenus. He is honorable, courageous, and highly moral in all his deeds. We would all like to think we too could be as noble and upstanding, and we love watching his character.

However, I know I’m not the only one who finds myself even more intrigued by Vorenus’ comrade and nearly polar opposite, Titus Pullo. Most of the time, Pullo is ultra-violent, killing and maiming anyone with seemingly no conscience. He is an amoral, drunken, whoring brute who never seems to think about his actions beyond how he can be instantly gratified. His character is exaggerated to the extreme, and he is not like someone you would ever hope to be! And yet… he is infinitely fascinating to watch! The few moments within the series when Pullo showed his sensitive, caring nature, or when he actually understood something beyond his own immediate need were my favorites.

Am I alone in my weirdness?

Think about some of your favorite characters. Were you drawn to them because they were
just like you? Or did the attraction lay in them being nothing like you?

Your inquiring Aunty wants to know!

Saturday, August 4, 2007

Hunky Heroes In The Lair

posted by Aunty Cindy and friends

As Bandita Caren revealed in the comments earlier this week, the Bandit Lair has several levels of chambers, caverns and secret hiding places. Many of these places are occupied by Hero Hunks, who are the heroes (and sometimes villains!) of all the Banditas' various manuscripts, ideas, and Works In Progress (WIPs).

A few days ago, your old Aunty was hanging out in the lower levels and she ran into a couple of historical Hero Hunks who are about to be loosed on the reading public by two of our soon-to-be-published Banditas. Sebastian Laidley, Earl of Carleton will be appearing in Christine Wells’ “Scandal’s Daughter” in September, and Lord Nicholas Chambers will be in Donna MacMeans’ “The Education of Mrs. Brimley” in October.

Being the generous sort that she is *winks* your Aunty thought our Bandita Buddies/Readers might enjoy talking to these two rather naughty heroes BEFORE their books are released. Aunty encountered Lord Nicholas with his sketch pad, charcoal, and some refreshments in one of the not-so-secret rooms of the lair so she sat down for a little chat.

AC: Please tell us a little bit about who, where and WHEN you are. You appear to be wealthy, how did you manage that? Other family members we should know about?

NICHOLAS:
I am, quite frankly, who I am. Questions about philosophy are best directed to my brother William, the Marquess of Enon. Unless, of course, you'd like to join me in a bit of brandy? [AC graciously accepts the snifter from Lord Nicholas' hand, noticing that he squeezes her fingers as he passes it to her.] Then we can discuss poetry and painting, seduction and sensuality. But you should come here, close to the fire. Our Yorkshire winters are long, cold and damp. Let me take that bulky shawl. Such lovely skin as yours should be seen, not hidden. You don't mind if I sketch while we talk? Is it too warm? [A fine sheen of perspiration shines on AC's brow but it has nothing to do with the room temperature.] Feel free to loosen a button or two. We're far from London and society's ridiculous rules. It is, after all, 1876.

AC: Lord Nicholas, I understand you are an artist, specifically a painter. Were you born with this talent? How long have you been engaged in this pursuit? And do you specialize in *ahem* risqué subjects?

NICHOLAS: If you've consulted my brother or my father, they'll tell you I'm no artist...certainly not one worthy of hanging in the Royal Academy. They'll tell you I'm more of a black sheep, as it were, hiding out in provincial Yorkshire to avoid family obligations - whatever those might be. I trust William to handle those responsibilities back in London. My sister, Arianne, understands, but she's off on some continental jaunt and thus not about to support my interests.

However the tavern women, they know me well. One needs the occasional diversion from painting landscapes, you understand. [AC does indeed!] The curves and shape of a woman's body, the play of light and shadow. God truly knew what he was about when he created the feminine form... ummmm... It's probably not a good idea to gulp that brandy, you might find it goes straight to your head... then again, let me refill your glass. [AC offers her empty snifter and this time she squeezes Lord Nicholas' fingers! OOPS! Perhaps she is a wee bit tipsy!]

Perhaps you'd consider allowing me to capture your generous spirit on my canvas? I know the villagers refer to me as "Lord Bedchambers," but I assure you, you are perfectly safe here alone without a chaperone...you don't have a chaperone, do you? [Aunty prefers not to divulge exactly how long it has been since she needed a chaperone.] No husband about to storm the manor? Ah...he trusts you. A remarkable and rare virtue, trust.

I've been trying to convince that delightful young widow at that nearby school for matrimonial-minded females to pose for me. She's resistant, but I have something that she wants. What's that you ask? [Actually, AC thinks she can guess.] Why I have knowledge...the kind of knowledge that comes from experience, lots of experience. The kind of knowledge that the young Mrs. Brimley lacks and desperately needs if she's to teach her charges what to expect on their wedding nights. How does a widow not have this knowledge, you ask? That's an excellent question, but one that she must answer. She expects much of me, you know. She expects honor and respectibility, but then, she's new to the area. Let me refill your glass... [AC hiccups and figures WHAT THE HECK? One more for the road...]

AC: All right, in keeping with Cassondra’s post on Friday, how DO you “savor the sensuous?”

NICHOLAS: Savor the sensuous - what a delightful expression. I believe that sums up my existence. I don't give a fig for society, preferring instead to savor the sensuous. Tell me -- do you know about an artist's tools?

AC: Actually, yes, because my DH is an artist too.

NICHOLAS: Have you experienced the pinch of an ox hair brush against your lovely sensitive skin, or perhaps the silky stroke of sable as it glides across areas untouched and unseen? No?

AC: Er… um… No, my DH is a sculptor.

NICHOLAS: Imagine how the tip of that sable brush would feel if it was moist, like a pair of appreciative lips. [AC begins to pant and splashes the remains of her brandy on her face.]

Aunty Cindy, you appear to be a little overheated. There's a blush on your cheeks that I assume comes from your proximity to the fire. Perhaps you should loosen a few more buttons, I'll be happy to assist...

Caren, Joan, and Jo, resplendent in their bucket boots and masks, swing in through the window to save Aunty’s virtue. Much rapier slashing and crop snapping ensues. Lord Nicholas, hugging his brandy bottle close, sneaks off to another hideaway in the lair, hoping to corner Suz or Tawny.

As of this posting, AC has not yet forgiven Caren, Joan or Jo. However, we did locate Lord Nicholas, minus his brandy bottle. Feel free to ask him some questions. You'll enjoy the answers!